There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
Firelei Báez
Firelei Báez
A Midnight's Dream
★☆☆☆☆
Such kitsch might have been fine in a spinster auntie’s bedroom. In the gallery, it is a cruel trick.
Renate Bertlmann, Cullinan Richards, Ayla Dmyterko, Permindar Kaur, Rebecca Parkin, Tai Shani, Penny Slinger, Georgina Starr, Unyimeabasi Udoh
Renate Bertlmann, Cullinan Richards, Ayla Dmyterko, Permindar Kaur, Rebecca Parkin, Tai Shani, Penny Slinger, Georgina Starr, Unyimeabasi Udoh
Bitch Magic
★★★☆☆
There will be no women when this spell breaks. And no need for magic, either.
Peter Fischli and David Weiss
Peter Fischli and David Weiss
★★★★☆
A police procedural turns into a drinking game of Foucauldian power analysis.
Marina Abramović
Marina Abramović
7 Deaths of Maria Callas
★☆☆☆☆
Abramović wants to destroy all performance and all women until she holds the monopoly over stage death.
Slawn
Slawn
★★☆☆☆
Do you like KAWS but find him too expensive?
Belarus Free Theatre
Belarus Free Theatre
Official. Unofficial.
★★☆☆☆
Art matters neither to the dictator nor his opponents.
