There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
Dream Stream
★★☆☆☆
What if appropriation and regurgitation led to domination?
Soufiane Ababri
Soufiane Ababri
Their mouths were full of bumblebees
★★☆☆☆
Ababri’s paintings for the Grindr generation are more cartoonish than they are from life.
Armando D. Cosmos
Armando D. Cosmos
Nothing New Under the Sun
★★★☆☆
Cosmos wants to redefine STEM as the alliance of science, theosophy, engineering, and myth.
Veronica Ryan
Veronica Ryan
Multiple Conversations
★★☆☆☆
The impulse at play is that repetition makes up for an idea by sheer volume. It doesn’t.
Abbas Akhavan
Abbas Akhavan
Entre chien et loup
★★★☆☆
Some water lily species are invasive.
HelenA Pritchard
HelenA Pritchard
The Homeless Mind
★★★☆☆
Death by debris falling from building façades is an artist’s occupational hazard.
