There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
Michael Simpson
Michael Simpson
★★★★☆
In this meditation of surface disguised as a study of objects, neither is a truer likeness of the events.
Gina Fischli
Gina Fischli
Love Love Love
★★★★☆
What good it is to be best in show when the competition is lame, crooked, or outright fake?
transfeminisms Chapter IV: Care and Kinship
★☆☆☆☆
Lack of care for the artefact is a strange USP for a gallery.
Justin Chance
Justin Chance
Motherhood
★★☆☆☆
If only he stopped there.
Sylvie Fleury
Sylvie Fleury
S.F.
★★★☆☆
In Fleury’s car workshop cum womenswear boutique, everything is ready-made and ready-to-wear. But you can’t touch any of it and you certainly can’t afford it.
Nicola Singh
Nicola Singh
Sincere Seeker
★★☆☆☆
What would it take for art to look like something, anything once more?
