There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
Prem Sahib
Prem Sahib
Kin
★★★★☆
Animal pity turns into animal cruelty, and bang, the mutt’s a goner.
Paride Maria Calcia, Hubert Duprat, Irene Fenara
Paride Maria Calcia, Hubert Duprat, Irene Fenara
Condo
★★★★☆
The word ‘organic’ once encompassed forms of matter that were anything but.
Megan Rooney
Megan Rooney
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For all this bravado, Rooney’s compositions offer only a very surface experience of abstraction.
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Through My Fault
★★★☆☆
There’s a group, but they’re as indistinct as the faces of Jesus that regularly appear to people on slices of toast.
Katherine Hubbard
Katherine Hubbard
The Great Room
★★★☆☆
How should we judge the aesthetic products of art therapy?
Pauline Boty
Pauline Boty
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★★★★☆
This exhibition mixes the woman and her legend, but without the air of mystery she enjoyed during her lifetime.
