There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
New Contemporaries
★☆☆☆☆
This edition spells ‘stasis’ more than most, and the selectors are to blame.
Hannah Tilson
Hannah Tilson
Soft Cut
★★☆☆☆
Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.
Jan Gatewood
Jan Gatewood
Group Relations
★☆☆☆☆
Such thin metaphors could only have come from LA.
John Tweddle, Michael Landy
John Tweddle, Michael Landy
Market Day
★★★☆☆
Nothing here disrupts the market, freeing the eye from the wallet.
Siobhan Liddell
Siobhan Liddell
Been and Gone
★★☆☆☆
A twee aesthetics native to a grandmother’s mantlepiece collection of tourist souvenirs and devotional figurines.
Claire Fontaine
Claire Fontaine
Show Less
★★☆☆☆
Repeat these mantras enough, and the lie becomes art.
