There is an unstated hierarchy of forms at work in this enigmatic not-quite-solo, not-quite-collective exhibition. “Hereafter” was conceived by Simon Moretti and features works by well over a dozen “guest” others. The artist’s wall-mounted neon, Double Vortex (after Emanuel Swedenborg), 2025, is the show’s cipher. This work’s very shape—like a ram’s horns atop an Ionic column—points to the heavens.
Simon Moretti et al. Hereafter
Simon Moretti et al.
Hereafter
★★★★★
On until 30 May 2025
notes and notices are short and curt exhibition reviews. Read more:
Zyad Menk
Zyad Menk
Scar Tissue
★★☆☆☆
History’s scrapheap with no interpretative powers.
Anastasia Pavlou
Anastasia Pavlou
Reader, Part 2; The Reader Reads Words in Sentences
★★☆☆☆
In this game of aesthetic cognition, the idea which survives is of the artist thinking.
Carla Åhlander, Aaron Amar Bhamr
Carla Åhlander, Aaron Amar Bhamr
Holding Places
★★★☆☆
The illusion is as good as complete.
Chronoplasticity
★☆☆☆☆
This may have been a good joke but it’s just too exhausting to look at.
Milly Thompson
Milly Thompson
My Body Temperature is Feeling Good
★★☆☆☆
Oh, what is it to be a woman in a world of nothing but!
Fritsch, Genzken, Oldenburg, Shani, Sherman, Smithson, Thek
Fritsch, Genzken, Oldenburg, Shani, Sherman, Smithson, Thek
Material Rites
★★★☆☆
The instincts are right, but too much makes sense to make sense together.
