Slawn

★★☆☆☆

On until 20 October 2024

Do you like street art, but not the street or the people who make it? Do you enjoy the frisson of taboo ideas but are too anxious to share an ironic meme? Do you like KAWS but find him too expensive? Why, meet Slawn, the spray paint kid “taught” in a Lagos skate shop now hailed by Sotheby’s as Nigeria’s top “Instagram Art Sensation”. 

The canvases are too large for Slawn’s naively painted figures. His references – the gallery laughably cites AbEx – don’t stretch beyond a phone’s emoji keyboard. It’s all big tits, big lips, big eyes, sometimes a background squiggle. Risqué if you’ve not seen a Haring. Out of the blue, however, a single canvas has three figures in KKK robes. Perhaps Slawn follows Philip Guston’s socials. 

Street art fans love this stuff because they’re fans. Brands drink up the PR’s identitarian nonsense because it has little manifestation in the work. But with the 23-year-old’s auction record understandingly unimpressive, what’s in it for the dealers? 


notes and notices are short and curt exhibition reviews. Read more:

Yorgos Prinos, Prologue to a Prayer at Hot Wheels ★★★★☆

Yorgos Prinos

Prologue to a Prayer

★★★★☆

Prinos’ frames are precise, tight, and formal, as though the street were his studio.

Jasper Marsalis,  \m/’ at Emalin ★★★★☆

Jasper Marsalis

\m/'

★★★★☆

The circus is in town, its acts are the infrastructure of contentment.

Claire Fontaine: Show Less at Mimosa House ★★☆☆☆

Claire Fontaine

Show Less

★★☆☆☆

Repeat these mantras enough, and the lie becomes art.

Christo, Early Works at Gagosian Open ★★★★☆

Christo

Early Works

★★★★☆

To appreciate Christo’s early works against his wishes, one must forget his later stunts.

Condo: The Ambassadors at Wien at Ginny on Frederick ★☆☆☆☆

Sophie Giraux, Albert Dietrich

Condo: The Ambassadors

★☆☆☆☆

Everything about this show feels lazy.

RM, A Story Backwards at Auto Italia ★★☆☆☆

RM

A Story Backwards

★★☆☆☆

Having forgotten what the ‘dramatic’ in art stands for, visual artists today too often mistake hacked theory for stage directions.

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