Stuart Middleton
The Human Model

★★☆☆☆

On until 20 April 2024

A five-armed tepee made from cheap polyester bedding – barely an iteration of the artist’s 2015 installation which turned the same gallery into a tunnel – plays host to a five-dimensional audio installation. Having captured his audience, Middleton blows raspberries into the microphone. Next door, two totems made from junk furniture, woodworking tools, and grandma’s knitting basket float suspended sideways from the walls.

Spring is time for spring cleaning. But artists are already thinking of summer picnics and lazy Sundays spent in bed or the potting shed. But the mass-produced safety blankets are too on the nose next to the mass-produced retro. An interest in material is core to this practice but Middleton mistrusts his instincts. A recklessly messy prose poem which footnotes the artist’s WhatsApp inbox speaks of “authoritarianism”, “getting lost” and “exhaustion”. It thus gets from nowhere to nowhere, as regrettably does the exhibition.


notes and notices are short and curt exhibition reviews. Read more:

Nanténé Traoré at Sultana and Amanda Wilkinson ★★☆☆☆

Nanténé Traoré

She says it's the high energy

★★☆☆☆

Bodies clash with lights in front of Traoré’s Narcissus camera.

Anastasia Pavlou, Reader at Hot Wheels ★★☆☆☆

Anastasia Pavlou

Reader, Part 2; The Reader Reads Words in Sentences

★★☆☆☆

In this game of aesthetic cognition, the idea which survives is of the artist thinking.

Odoteres Ricardo de Ozias at David Zwirner ★★★☆☆

Odoteres Ricardo de Ozias

★★★☆☆

These images are perfectly charming even to a viewer possessed of a cold anthropological eye. The troubling part is in realising just how far ‘outside’ the ideas are.

Co Westerik, Centenary at Sadie Coles HQ ★★★☆☆

Co Westerik

Centenary

★★★★☆

Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy.

HelenA Pritchard, The Homeless Mind at TJ Boulting ★★★☆☆

HelenA Pritchard

The Homeless Mind

★★★☆☆

Death by debris falling from building façades is an artist’s occupational hazard.

A Comparative Dialogue Act, Luxemburg pavilion in Venice ★★☆☆☆

Andrea Mancini, Every Island

A Comparative Dialogue Act

★★☆☆☆

Stage fright is real. Cowardice is another thing altogether.

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