Stuart Middleton

The Human Model

★★☆☆☆

On until 20 April 2024

A five-armed tepee made from cheap polyester bedding – barely an iteration of the artist’s 2015 installation which turned the same gallery into a tunnel – plays host to a five-dimensional audio installation. Having captured his audience, Middleton blows raspberries into the microphone. Next door, two totems made from junk furniture, woodworking tools, and grandma’s knitting basket float suspended sideways from the walls.

Spring is time for spring cleaning. But artists are already thinking of summer picnics and lazy Sundays spent in bed or the potting shed. But the mass-produced safety blankets are too on the nose next to the mass-produced retro. An interest in material is core to this practice but Middleton mistrusts his instincts. A recklessly messy prose poem which footnotes the artist’s WhatsApp inbox speaks of “authoritarianism”, “getting lost” and “exhaustion”. It thus gets from nowhere to nowhere, as regrettably does the exhibition.


notes and notices are short and curt exhibition reviews. Read more:

Max Boyla, Crying like a fire in the sun at Workplace ★★☆☆☆

Max Boyla

Crying like a fire in the sun

★★☆☆☆

Rothko’s abstractions are said to have induced tears in viewers overwhelmed by abstraction. Staring at the sun here, however, barely causes blindness.

Michael Simpson at Modern Art ★★★★☆

Michael Simpson

★★★★☆

In this meditation of surface disguised as a study of objects, neither is a truer likeness of the events.

Vlatka Horvat, The Croatian Pavilion in Venice ★★☆☆☆

Vlatka Horvat

By the Means at Hand

★★☆☆☆

This closed circulation project speaks to and agrees with only itself.

Mike Kelley, Ghost and Sprit at Tate Modern ★★★☆☆

Mike Kelley

Ghost and Spirit

★★★☆☆

The challenge of curating a retrospective of a career as rich as Kelley’s is to build a narrative that both lay audiences and art historians can believe. Wood packs the show and pleases neither fully.  It’s remarkable that any artist’s…

Peter Fischli and David Weiss at Sprüth Magers ★★★★☆

Peter Fischli and David Weiss

★★★★☆

A police procedural turns into a drinking game of Foucauldian power analysis.

Sibylle Ruppert, Frenzy of the Visible at Project Native Informant ★★★★☆

Sibylle Ruppert

Frenzy of the Visible

★★★★☆

This is the fodder of DeviantArt and the last year’s AI engines.

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