Atiéna R. Kilfa
Primitive Tales

★☆☆☆☆

On until 11 November 2023

This is an uninspired re-staging of Kilfa’s intriguing installation at Camden Art Centre, only assembled opaquely and with a couple of extra but missable works.


notes and notices are short and curt exhibition reviews. Read more:

Michael Simpson at Modern Art ★★★★☆

Michael Simpson

★★★★☆

In this meditation of surface disguised as a study of objects, neither is a truer likeness of the events.

Oh, the Storm at Rodeo ★☆☆☆☆

Oh, the Storm

★☆☆☆☆

This exhibitions is trying to explain the concept of ‘crazy paving’ to a blind man. It’s impossible to tell where a work ends and the wall begins.

Pauline Boty at Gazelli Art House ★★★★☆

Pauline Boty

A Portrait

★★★★☆

This exhibition mixes the woman and her legend, but without the air of mystery she enjoyed during her lifetime.

Some May Work as Symbols at Raven Row ★★★★☆

Some May Work as Symbols: Art Made in Brazil, 1950s–70s

★★★★☆

Art history can catch modernity in splitting from the past and thus from itself.

Tesfaye Urgessa, The Ethiopian Pavilion in Venice ★★★★★

Tesfaye Urgessa

Prejudice and Belonging

★★★★★

Urgessa’s figures are contorted in love, death, or merely life.

Talar Aghabshian, Solace of the Afterimage at Marfa’ at The Approach ★★☆☆☆

Talar Aghbashian

Solace of the Afterimage

★★☆☆☆

The carpet dealer gallerist’s zeal reveals the work’s lamentable inadequacy. 

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