Sylvie Fleury

S.F.

★★★☆☆

On until 4 November 2023

A tall woman wearing Louboutin heels and a Givenchy suit, clutching a Fendi purse strides confidently through a museum. She gestures at the displays as she passes: this Stella, that Judd. A gaggle of faggy curators follow her adoringly. They Tweet out anonymous allegations of sexual abuse to #MeToo the male artists. Long live the feminine museum! Now she drops off her car at the mechanic’s shop, dressed down to Armani. Those Pirelli calendars must go, here’s some Playgirl instead. Women drivers rule! 

The screenplay for ‘a day in the studio with Sylvie Fleury’ just writes itself. Sadly, she didn’t make the film but the props are all in the show. A counterfeit Pistoletto mirror has that woman bending over a Moschino shopping bag. Designer shoes are strewn across a fake Andre tile floor. And there’s Chanel nail varnish in the mechanic’s office for his buff mate to try on.

In Fleury’s car workshop cum womenswear boutique, everything is ready-made and ready-to-wear. But you can’t touch any of it and you certainly can’t afford it. This is feminism for trophy wives and capitalist critique for the 1%. So clean, so safe, so Swiss!


notes and notices are short and curt exhibition reviews. Read more:

Place Revisited at Modern Art ★★★★☆

Richard Aldrich, Prunella Clough, Masanori Tomita, Anh Trần, Terry Winters

Place Revisited

★★★★☆

One suspects the gallery of insider trading.

Entangled Pasts at The Royal Academy ★★☆☆☆

Entangled Pasts, 1768–now

★★☆☆☆

Who could have thought that these mantras would turn into rote?

Sin Wei Kin, Portraits at Soft Opening ★★☆☆☆

Sin Wei Kin

Portraits

★★☆☆☆

This exhibition combines the most vulgar of all art school tropes: juvenile narcissism, NFT kitsch, and mindless referentialism.

Ed Webb-Ingall, A Bedroom for Everyone at PEER ★☆☆☆☆

Ed Webb-Ingall

A Bedroom for Everyone

★☆☆☆☆

How can art improve the lives of communities? Wrong answers only.

The Poplar Bestiary at Tondo Cosmic ★★★☆☆

Tamsin Morse, Kris Lock, Casper Scarth, et al.

The Poplar Bestiary

★★★☆☆

This menagerie comes with no humanly comprehensible challenge.

Aleksandar Denić, The Serbian pavilion in Venice ★★★☆☆

Aleksandar Denić

Exposition Coloniale

★★★☆☆

Denić took the Biennale’s theme literally, as though he was not in on the art world joke.

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