Tommy Camerno

Delirious

★★☆☆☆

Curated by Antoine Schafroth
On until 28 January 2024

Is there a limit to the number of fads a single practice can channel? In this bijou, four-piece show, Camerno packs building site machismo, camp Technicolor nostalgia, generational warfare, and a dollop of old queer. 

Such indecision could be dismissed as youthful enthusiasm, but these inconsistencies are premeditated. Ornamental steel shapes hung from a monumental totem revel in laser-cut precision. They’re so far oblivious to the speckles of rust that will one day consume them. A ‘70s pin-up who appears on one canvas is till today unmoved by the decades which separate her from glory.

But the procession of time marked out in another painting is unstoppable. What’s left of the show are stage props that feed adolescent imaginations with false memories of the long-finished party. But even if Camerno’s complaints against the past were legitimate, his bet on the lasting value of his stock illustration tropes makes for poor politics.


notes and notices are short and curt exhibition reviews. Read more:

Max Hooper Schneider, Twilight at the Earth’s Crust at Maureen Paley ★★☆☆☆

Max Hooper Schneider

Twilight at the Earth’s Crust

★★☆☆☆

Mad Max meets Waterworld in a crossover sequel conceived by a film studio’s marketing department.

Michael Simpson at Modern Art ★★★★☆

Michael Simpson

★★★★☆

In this meditation of surface disguised as a study of objects, neither is a truer likeness of the events.

Anna Barriball at Frith Street Gallery ★★☆☆☆

Anna Barriball

New Drawings

★★☆☆☆

The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.

The Imaginary Institution of India at Barbican ★★★★★

The Imaginary Institution of India

★★★★★

How does a curator tell an unfamiliar history yet evade the museum’ didacticism and the audience’s dulled expectations? Jhaveri’s ambitious review of India’s testing decades at the end of the 20th century could easily have been a torturous sermon: the…

Megan Rooney, Echoes & Hours at Kettle’s Yard ★★☆☆☆

Megan Rooney

Echoes & Hours

★★☆☆☆

For all this bravado, Rooney’s compositions offer only a very surface experience of abstraction.

Odoteres Ricardo de Ozias at David Zwirner ★★★☆☆

Odoteres Ricardo de Ozias

★★★☆☆

These images are perfectly charming even to a viewer possessed of a cold anthropological eye. The troubling part is in realising just how far ‘outside’ the ideas are.

×