Yorgos Prinos

Prologue to a Prayer

★★★★☆

On until 9 November 2024

Something troubles the men in Prinos’ street photographs. They stand lined up, tensely, their heads bowed as though at a state funeral. Another one, opposite, holds a silver-plated ornament. Is this the ceremonial object of their veneration? What tragedy or triumph does this scene mark? 

It takes a moment to understand that these portraits were snatched separately and assembled only in the gallery. Prinos’ frames are precise, tight, and formal, as though the street were his studio. A found image curio from the tabloid’s ‘funnies’ section attached to the gallery’s window breaks the spell, only to make the others more daunting.


notes and notices are short and curt exhibition reviews. Read more:

Herman Chong, The Book of Equators at Amanda Wilkinson ★★☆☆☆

Herman Chong

The Book of Equators

★★☆☆☆

Chong was probably reading some epic while painting his Equator pictures.

Botond Keresztesi, NPC (No-one Paints Chrysopoeia) at Seventeen ★★★☆☆

Botond Keresztesi

NPC (No-one Paints Chrysopoeia)

★★★☆☆

There is no “too much” in this fantasy meme game.

Meeson Jessica Pae, Secretions & Formations at Carl Kostyál ★★★★☆

Meeson Jessica Pae

Secretions & Formations

★★★★☆

Oil paint can cause cancer.

Carole Ebtinger, Esther Gatón at South Parade ★★☆☆☆

Carole Ebtinger, Esther Gatón

phosphorescence of my local lore

★★☆☆☆

Rot overpowered this subject and came for the object next. 

Amanda Wall, Femcel at Almine Rech ★★★☆☆

Amanda Wall

Femcel

★★★☆☆

There’s no dignity in paint when the arc of art history tends to “show hole”.

Pakui Hardware, Maria Terese Rozanskaite, Inflammation at Lithuanian pavilion Venice ★★★☆☆

Pakui Hardware, Maria Terese Rožanskaité

Inflammation

★★★☆☆

One of the novelties in Venice is the artwork that looks good but on reflection isn’t.

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