Alvaro Barrington

Grandma’s Land

★★★☆☆

On until 21 October 2023

The wood and corrugated iron huts which Borrington built in the gallery from his grandmother’s memories of her Caribbean village look disconcertingly like art fair booths. The atmosphere is festive, the carnival is on. One hut is home to Bonnington’s sail-like paintings of sunsets and girls frolicking in the sea. Another, with ‘guest artist’ Paul Anthony Smith, shows collages of revellers and flags of pan-Caribbean unity. Sonia Gomes uses hers to hang a fabric sculpture. There’s also a ‘project’ room with Akinola Davies Jr.’s flickering images and sounds from Notting Hill.

Any one of these artists could have carried the show but together, they compete for grandma’s hospitality. The party slumps into a half-voiced political complaint and never recovers. This is what happens when instead of living culture, we ‘celebrate’ it, as is the demand of street carnivals and, indeed, art fairs. 


notes and notices are short and curt exhibition reviews. Read more:

RM, A Story Backwards at Auto Italia ★★☆☆☆

RM

A Story Backwards

★★☆☆☆

Having forgotten what the ‘dramatic’ in art stands for, visual artists today too often mistake hacked theory for stage directions.

Anna Barriball at Frith Street Gallery ★★☆☆☆

Anna Barriball

New Drawings

★★☆☆☆

The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.

What Is It Like? at Arebyte ★★☆☆☆

Anna Bunting-Branch, Choy Ka Fai, Damara Inglês, Katarzyna Krakowiak, Lawrence Lek, Kira Xonorika

What Is It Like?

★★☆☆☆

What does it feel like for an intelligence to be artificial?

Kevin Brisco Jr, But I Hear There Are New Suns at Union Pacific ★★☆☆☆

Kevin Brisco Jr

But I Hear There Are New Suns

★★☆☆☆

I didn’t get to see this show. Perhaps for the best.

Rose Finn-Kelcey, Suit of Lights at Kate MacGarry ★★★★☆

Rose Finn-Kelcey

Suit of Lights

★★★★☆

Local-art-centre retro exposes the breakdown of the feminist art project.

Women in Revolt! at Tate ★★★☆☆

Women in Revolt!

★★★☆☆

There’s a room for female labour, a corner for childbirth, one for black women, and a section for lesbians. This is as close to nuance as Tate gets today.

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