Florian Meisenberg
What does the smoke know of the fire?


On until 21 October 2023

Florian Meisenberg’s paintings are either the product of a conspiracy or documents of a conspiracy theory. Whichever it is, the secret is as old as the hills. The canvases are filled by a crude, naïve hand that matches their folk contents: aethereal beings, plants with magical powers, strange rituals, acts of submission and domination. And naked bodies. Lots of naked bodies.

These works know nothing and too much at the same time, always maintaining plausible deniability. Between the witch burning, group sex, and friendly foxes, they’d make equally good posters for The Q Anon Movie and covers for the Ramblers association annual report. 

Because Meisenberg applies ground stone onto the canvases, they look like more colourful, fantasy versions of cave paintings. It’s been a while since overzealous boy scouts ‘accidentally’ destroyed prehistoric stone markings. That same end will eventually come for Meisenberg’s work, too: he even foretells it in a miniature video in which a camera lens pointing at the sun too long goes blind.

notes and notices are short and curt exhibition reviews. Read more:

Bitch Magic at Alma Pearl ★★★☆☆

Renate Bertlmann, Cullinan Richards, Ayla Dmyterko, Permindar Kaur, Rebecca Parkin, Tai Shani, Penny Slinger, Georgina Starr, Unyimeabasi Udoh

Bitch Magic


There will be no women when this spell breaks. And no need for magic, either.

Odoteres Ricardo de Ozias at David Zwirner ★★★☆☆

Odoteres Ricardo de Ozias


These images are perfectly charming even to a viewer possessed of a cold anthropological eye. The troubling part is in realising just how far ‘outside’ the ideas are.

Nicola Turner, Edward Bekkerman at Shtager&Shch ★★☆☆☆

Nicola Turner, Edward Bekkerman

The Song of Psyche: Corners of a Soul's Otherworlds


Who opens a space in Fitzrovia only to fill it with such drivel?

Justin Fitzpatrick, Ballotta at Seventeen ★★★★★

Justin Fitzpatrick



The reward for taking part in this experiment of life is ascension to the holy orders. 

Gina Fischli, Love Love Love at Soft Opening ★★★★☆

Gina Fischli

Love Love Love


What good it is to be best in show when the competition is lame, crooked, or outright fake?

Christo, Early Works at Gagosian Open ★★★★☆


Early Works


To appreciate Christo’s early works against his wishes, one must forget his later stunts.