Carole Ebtinger, Esther Gatón

phosphorescence of my local lore

★★☆☆☆

On until 13 January 2024

Autumn, eh? Ettinger’s pastel drawings look like Monet’s water lilies but caught late in the year after the garden died down and the artist’s vision faded. Gatón’s hanging of sticks and frayed plastics, once a proud scarecrow, has seen better days. Rot overpowered this subject and came for the object next. 

This could have been a scene from an ‘eco’ remake of The Blair Witch Project or an homage to Metzger. Instead, this slight show barely justifies its five-word title. A star docked for splitting the gallery in half to concurrently host an atrocious solo exhibition instead of working this local lore into a serious proposition.


notes and notices are short and curt exhibition reviews. Read more:

A Comparative Dialogue Act, Luxemburg pavilion in Venice ★★☆☆☆

Andrea Mancini, Every Island

A Comparative Dialogue Act

★★☆☆☆

Stage fright is real. Cowardice is another thing altogether.

Max Boyla, Crying like a fire in the sun at Workplace ★★☆☆☆

Max Boyla

Crying like a fire in the sun

★★☆☆☆

Rothko’s abstractions are said to have induced tears in viewers overwhelmed by abstraction. Staring at the sun here, however, barely causes blindness.

Jan Gatewood, Group Relations at Rose Easton ★☆☆☆☆

Jan Gatewood

Group Relations

★☆☆☆☆

Such thin metaphors could only have come from LA.

Sophie Huckfield: Lady Ludd at Outpost, Norwich ★★☆☆☆

Sophie Huckfield

Lady Ludd

★★☆☆☆

Huckfield crowbars made-up heroes into past revolutions to pose as the saviour in the next one.

Gina Fischli, Love Love Love at Soft Opening ★★★★☆

Gina Fischli

Love Love Love

★★★★☆

What good it is to be best in show when the competition is lame, crooked, or outright fake?

Theodore Ereira-Guyer, Jandyra Waters: We Lost Lots of Beautiful Things at Elizabeth Xi Bauer

Theodore Ereira-Guyer, Jandyra Waters

We Lost Lots of Beautiful Things

★★★★☆

The human mind is mimetic – all art is representation.

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