Alejandro Piñeiro Bello

Entre El Día Y La Noche

★☆☆☆☆

On until 28 September 2024

If only they were smaller, Piñera Ballo’s paintings would be a great hit in the shopping centre gallery your ex-army uncle just opened in Surrey. He’s gambling with the family’s savings, you condescend, but so is Pace with their show. The market for “young” artists is crashing. Who in London, precisely, would buy 6-meter-wide Cuban beach souvenirs? Surrey, at least, knows its own taste.


notes and notices are short and curt exhibition reviews. Read more:

Anna Glantz, Lichens at Approach ★★★☆☆

Anna Glantz

Lichens

★★★☆☆

The clues that Glantz leaves on her surfaces are also traps. There are either too many or not quite enough to follow or fall into. 

looking to the futurepast, we are treading forward, the Bolivian pavilion in Venice ★☆☆☆☆

looking to the futurepast, we are treading forward

★☆☆☆☆

The contemporary is of no interest to a nation whose future is yet to be dug out from the ground.

Esteban Jefferson, May 25th, 2020 at Goldsmiths CCA ★★★☆☆

Esteban Jefferson

May 25th, 2020

★★★☆☆

This exhibition is a warning to would-be propagandists: trust art at your peril.

Anna Barriball at Frith Street Gallery ★★☆☆☆

Anna Barriball

New Drawings

★★☆☆☆

The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.

When Forms Come Alive at Hayward Gallery ★★☆☆☆

When Forms Come Alive

★★☆☆☆

This exhibition cannot decide if it’s a tourist attraction or a serious examination of sculpture’s relationship with movement.

Abel Auer, The shadow of tomorrow draws an ancient silhouette at Corvi-Mora ★★★☆☆

Abel Auer

The shadow of tomorrow draws an ancient silhouette

★★★☆☆

Auer is more interested in the fate of painting than humanity and thus stands apart from the army of zealots who make eco art today.

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