Alejandro Piñeiro Bello

Entre El Día Y La Noche

★☆☆☆☆

On until 28 September 2024

If only they were smaller, Piñera Ballo’s paintings would be a great hit in the shopping centre gallery your ex-army uncle just opened in Surrey. He’s gambling with the family’s savings, you condescend, but so is Pace with their show. The market for “young” artists is crashing. Who in London, precisely, would buy 6-meter-wide Cuban beach souvenirs? Surrey, at least, knows its own taste.


notes and notices are short and curt exhibition reviews. Read more:

Women in Revolt! at Tate ★★★☆☆

Women in Revolt!

★★★☆☆

There’s a room for female labour, a corner for childbirth, one for black women, and a section for lesbians. This is as close to nuance as Tate gets today.

Li Yi-Fan: Screen Melancholy at Taiwanese pavilion in Venice ★★★☆☆

Li Yi-Fan

Screen Melancholy

★★★☆☆

Characters lose themselves in screens-within-screens.

Veronica Ryan: Multiple Conversations at Whitechapel Gallery ★★☆☆☆

Veronica Ryan

Multiple Conversations

★★☆☆☆

The impulse at play is that repetition makes up for an idea by sheer volume. It doesn’t.

Avery Singer, Free Fall at Hauser & Wirth ★★☆☆☆

Avery Singer

Free Fall

★★☆☆☆

This show would be better without the baggage of the artist’s personal story and even better without the Twin Towers altogether.

Roland Knowlden: Negations at House Work Presents ★★★☆☆

Roland Knowlden

Negations

★★★☆☆

An exhausted porcupine and an architectural war plan.

Stuart Middleton, The Human Model at Carlos/Ishikawa ★★☆☆☆

Stuart Middleton

The Human Model

★★☆☆☆

An interest in material is core to this practice but Middleton mistrusts his instincts.

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