Alex Katz

Spring

★★☆☆☆

Curated by Timothy Taylor
On until 26 October 2024

The nonagenarian Katz is an acquired taste. His bold colouring and reduced forms are perfect for sore American eyes trained on advertising and pop art. To them, such habitual simplicity might look like an unpretentious virtue. 

Should flower arrangements need such an initiation? Katz’s pictures of willow and daffodils are pleasant but trivial. The man’s a legend, granted – think Hockney and his later landscapes – but this emperor’s clothes have moth holes. 


notes and notices are short and curt exhibition reviews. Read more:

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

Ghada Amer

QR CODES REVISITED—LONDON

★★☆☆☆

This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

Phung-Tien Pham, doesn’t work at Project Native Informant ★★☆☆☆

Phung-Tien Pham

doesn't work

★★☆☆☆

Fad aesthetics for fad ideas.

Iris Touliatou, Outfits at PEER ★★★☆☆

Iris Touliatou

Outfits

★★★☆☆

These gestures remind the gallery that it is a social space. Unfortunately, they also inadvertently point to its sorry end.

Claire Fontaine: Show Less at Mimosa House ★★☆☆☆

Claire Fontaine

Show Less

★★☆☆☆

Repeat these mantras enough, and the lie becomes art.

Machine Painting at Modern Art ★★★★☆

Machine Painting

★★★★☆

Ask DALL-E to paint an abstraction and it’ll confidently produce a museum-worthy clone

Diego Marcon, Dolle at Sadie Coles HQ ★★★☆☆

Diego Marcon

Dolle

★★★☆☆

Idle work became indistinguishable from leisure, vegetative time-passing from family life.

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