Alexandre Canonico



On until 16 December 2023

Conanico’s assemblages of shapes cut out of card and MDF board are so simple and playful that it would be easy to overlook them. Spray-painted rectangles connect to other rectangles like in a Blue Peter project. Curved shapes bear loads of miniature skyscrapers. Screws and washers hold a school science project together. These illustrations are each diagrams for something but to ask what is to miss the joke.

Such work could claim a place in the tradition of geometric abstraction but because Conanico doesn’t confine his paper cuttings to a canvas, or any plain for that matter, he overcomes it. His slight structures look like they could take flight at any moment and, in so doing, alter the fundamental laws of the universe. The sinister afterimage of such action, only barely implied by the work, would complete the show.

notes and notices are short and curt exhibition reviews. Read more:

Helen Johnson, Opening at Pilar Corrias ★☆☆☆☆

Helen Johnson



This is the work of a mind that, having needlessly spent years in therapy, became hooked on ennui or of an artist who wasted time misreading Lacan.

Material Rites at Gathering ★★★☆☆

Fritsch, Genzken, Oldenburg, Shani, Sherman, Smithson, Thek

Material Rites


The instincts are right, but too much makes sense to make sense together.

Odoteres Ricardo de Ozias at David Zwirner ★★★☆☆

Odoteres Ricardo de Ozias


These images are perfectly charming even to a viewer possessed of a cold anthropological eye. The troubling part is in realising just how far ‘outside’ the ideas are.

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle



Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

Dayanita Singh at Frith Street Gallery ★★☆☆☆

Dayanita Singh


Singh’s pictures cold have been made by at least three other Frith Street artists.

Alia Farid, Elsewhere at Chisenhale ★★★☆☆

Alia Farid



There is no answer in the work. Its cause and the object become enmeshed in a bland, exoticized mess.