Alexandre Canonico


On until 16 December 2023

Conanico’s assemblages of shapes cut out of card and MDF board are so simple and playful that it would be easy to overlook them. Spray-painted rectangles connect to other rectangles like in a Blue Peter project. Curved shapes bear loads of miniature skyscrapers. Screws and washers hold a school science project together. These illustrations are each diagrams for something but to ask what is to miss the joke.

Such work could claim a place in the tradition of geometric abstraction but because Conanico doesn’t confine his paper cuttings to a canvas, or any plain for that matter, he overcomes it. His slight structures look like they could take flight at any moment and, in so doing, alter the fundamental laws of the universe. The sinister afterimage of such action, only barely implied by the work, would complete the show.

notes and notices are short and curt exhibition reviews. Read more:

Pope.L, Hospital at South London Gallery ★★★☆☆




This project lands in the joke section of Animal Farm and not as a prophecy of the Jan 6th insurrection.

Teewon Ahn and Ibrahim Meïté Sikely at Gianni Manhattan and P21 at Project Native Informant ★★★☆☆

Teewon Ahn and Ibrahim Meïté Sikely


These works are as garish as they are fun to look at.

Tommy Camerno, Delirious at Filet ★★☆☆☆

Tommy Camerno



What’s left of the show are stage props that feed adolescent imaginations with false memories of the long-finished party.

Christo, Early Works at Gagosian Open ★★★★☆


Early Works


To appreciate Christo’s early works against his wishes, one must forget his later stunts.

Manfred Pernice, Megan Plunknett, >anticorpo< at Galerie Neu and Emalin ★★★★☆

Manfred Pernice, Megan Plunknett



Such ‘80s nostalgia for meaning before history’s end is a comfort blanket.

Peter Fischli and David Weiss at Sprüth Magers ★★★★☆

Peter Fischli and David Weiss


A police procedural turns into a drinking game of Foucauldian power analysis.