Eddie Ruscha

Seeing Frequencies


On until 15 June 2024

Despite indications to the contrary, it brings this critic little pleasure to disparage the aspirations of a young gallery. But either the curator or the quinquagenarian artist should have known better than to show off this nonsense. 

Ruscha’s paintings are a cross between a cartoonist’s representation of an LSD trip and an AI’s “artful” arrangement of twee California colours. They barely make up for their design with their thankfully modest size and number.

The gallery’s invitation promises Oskar Fischinger, Scott Bartlett, and even David Hockney. It is a blessing that it stopped short of citing Stella. Ruscha’s geometric repetitions, waves, and colour fields might be the thing in California’s forever hippie junkyard. In London, they are not Bardawil’s first investment into egregiously mediocre painting. This critic hopes they are the last.

notes and notices are short and curt exhibition reviews. Read more:

Iris Touliatou, Outfits at PEER ★★★☆☆

Iris Touliatou



These gestures remind the gallery that it is a social space. Unfortunately, they also inadvertently point to its sorry end.

Alia Farid, Elsewhere at Chisenhale ★★★☆☆

Alia Farid



There is no answer in the work. Its cause and the object become enmeshed in a bland, exoticized mess. 

Lydia Gifford, Low Anchored Cloud at Alma Pearl ★★☆☆☆

Lydia Gifford

Low Anchored Cloud


Oil paint applied so thickly that it’s a miracle the canvases don’t bring the gallery walls down with them

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

Ghada Amer



This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

Christine Ay Tjoe, Lesser Numerator at White Cube ★★☆☆☆

Christine Ay Tjoe

Lesser Numerator


Aj Tjoe’s paintings could make great scenic backdrops to a David Attenborough documentary on the life of wild rodents

Siobhan Liddell, Been and Gone at Hollybush Gardens ★★☆☆☆

Siobhan Liddell

Been and Gone


A twee aesthetics native to a grandmother’s mantlepiece collection of tourist souvenirs and devotional figurines.