Poppy Jones
Solid Objects


On until 13 April 2024

Jones’ tableaux which capture everyday objects like tableware, cut flowers, or arrangements of light and glass are tricks of the eye that pretend to come from a past register of sepia-toned sentiments and cyanotype archive records. As objects representing objects, these works are exquisite and their tricks are revealed neither by their delicate dimensions, nor their luxury polished frames. One therefore imagines the painter’s hand applying the watercolours and oils to suedes and silks with the care once reserved for the most elaborate and delicate of photographic processes now synonymous with a nostalgia for easier truths.

But this spell must be broken. However attractive the trinkets in front of Jones’ easel and however masterly her rendition of them, these images finally inspire frustration. The lightness and slightness of the painter’s gesture cry out for a sledgehammer that would relieve the viewer of doubt and responsibility for deciding which of the scenes will stand the test of time.

notes and notices are short and curt exhibition reviews. Read more:

Dominique Fung, (Up)Rooted, at Massimo de Carlo ★★☆☆☆

Dominique Fung



All this tries to be macabre and surreal like in Bosch or Miyazaki but is instead laughably twee.

Women in Revolt! at Tate ★★★☆☆

Women in Revolt!


There’s a room for female labour, a corner for childbirth, one for black women, and a section for lesbians. This is as close to nuance as Tate gets today.

Esteban Jefferson, May 25th, 2020 at Goldsmiths CCA ★★★☆☆

Esteban Jefferson

May 25th, 2020


This exhibition is a warning to would-be propagandists: trust art at your peril.

Cui Jie, Thermal Currents at Pilar Corrias ★☆☆☆☆

Cui Jie

Thermal Landscapes


The exhibition feels like a lecture on climate change sponsored by the designers of The Line, Saudi Arabia’s dystopian plan for a 110-mile linear city in the desert.

Nick Relph, Fils, ta vision! at Herald St ★☆☆☆☆

Nick Relph

Fils, ta vision!


There’s little for the eye to hang on and none of the punk culture of Relph’s earlier practice emerges from the works.

Francesca DiMattio, Wedgwood at Pippy Houldsworth ★★★☆☆

Francesca DiMattio



In DiMattio’s giant ceramics kiln, everyday motifs like sneakers and knickers clash into the ornate Rococo stove and the Victorian China snuff box.