Alvaro Barrington

Grandma’s Land

★★★☆☆

On until 21 October 2023

The wood and corrugated iron huts which Borrington built in the gallery from his grandmother’s memories of her Caribbean village look disconcertingly like art fair booths. The atmosphere is festive, the carnival is on. One hut is home to Bonnington’s sail-like paintings of sunsets and girls frolicking in the sea. Another, with ‘guest artist’ Paul Anthony Smith, shows collages of revellers and flags of pan-Caribbean unity. Sonia Gomes uses hers to hang a fabric sculpture. There’s also a ‘project’ room with Akinola Davies Jr.’s flickering images and sounds from Notting Hill.

Any one of these artists could have carried the show but together, they compete for grandma’s hospitality. The party slumps into a half-voiced political complaint and never recovers. This is what happens when instead of living culture, we ‘celebrate’ it, as is the demand of street carnivals and, indeed, art fairs. 


notes and notices are short and curt exhibition reviews. Read more:

Jennifer Bartlett, In the House at Pippy Houldsworth ★★★★☆

Jennifer Bartlett

In the House

★★★★☆

“Sky”, “roof”, “31”, a mantra turns into paint.

Phung-Tien Pham, doesn’t work at Project Native Informant ★★☆☆☆

Phung-Tien Pham

doesn't work

★★☆☆☆

Fad aesthetics for fad ideas.

Sibylle Ruppert, Frenzy of the Visible at Project Native Informant ★★★★☆

Sibylle Ruppert

Frenzy of the Visible

★★★★☆

This is the fodder of DeviantArt and the last year’s AI engines.

Klara Lidén, Square Moon at Sadie Coles ★★☆☆☆

Klara Lidén

Square Moon

★★☆☆☆

This isn’t Times Square in a blackout.

Richard Hunt, Metamorphosis at White Cube ★★★★★

Richard Hunt

Metamorphosis

★★★★★

A dictionary for self-determination written in phrases as they were being invented.

Anna Barriball at Frith Street Gallery ★★☆☆☆

Anna Barriball

New Drawings

★★☆☆☆

The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.

×