On until 14 January 2024

There are two reasons to see this show. One is that it collects so many must-see works that you might not have seen some of them before. The other is that the exhibition is a Johnsonian effort to catalogue the modern-day cult of Gaia and you might never have known without it that all female artists are gentle nags. 

Unparadoxically, these are also reasons not to see this show. The works are ‘diverse’, but most feel the same as the next. Too many deadpan landscape photographs turn intrigue into fatigue and into paralysis. And this anti-capitalist, anti-racist, anti-male dictionary of environmental resistance is even more biased than the one it seeks to replace.

And that’s a pity because why we insist that women are and will save the Earth is forever intriguing. Individually, each practice on show could choose to worship or dance on Gaia’s altar. But in this Hades, the works fall prey to other agendas that call for dull slogans, not myths. 

notes and notices are short and curt exhibition reviews. Read more:

Ron Nagle, Conniption at Modern Art ★★★★★

Ron Nagle



Less is more, as the saying goes. Nagle’s porcelain and resin maquettes are the bare minimum.

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

Ghada Amer



This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

Abdullah Al Saadi, Sites of Memory, Sites of Amnesia, UAE pavilion in Venice ★★★☆☆

Abdullah Al Saadi

Sites of Memory, Sites of Amnesia


The exhibition’s user experience rivals that of the Apple Store.

Auudi Dorsey at PM/AM ★★★★☆

Auudi Dorsey


Dorsey records the human experience with the true universalism of paint.

The last train after the last train at Public ★★★☆☆

The last train after the last train


The failed magic tricks in Lyndon Barrois Jr.’s canvases would hang in the final scene of Chinese Roulette in which everyone turns against everyone.

Stuart Middleton, The Human Model at Carlos/Ishikawa ★★☆☆☆

Stuart Middleton

The Human Model


An interest in material is core to this practice but Middleton mistrusts his instincts.