Carole Ebtinger, Esther Gatón

phosphorescence of my local lore

★★☆☆☆

On until 13 January 2024

Autumn, eh? Ettinger’s pastel drawings look like Monet’s water lilies but caught late in the year after the garden died down and the artist’s vision faded. Gatón’s hanging of sticks and frayed plastics, once a proud scarecrow, has seen better days. Rot overpowered this subject and came for the object next. 

This could have been a scene from an ‘eco’ remake of The Blair Witch Project or an homage to Metzger. Instead, this slight show barely justifies its five-word title. A star docked for splitting the gallery in half to concurrently host an atrocious solo exhibition instead of working this local lore into a serious proposition.


notes and notices are short and curt exhibition reviews. Read more:

Helen Johnson, Opening at Pilar Corrias ★☆☆☆☆

Helen Johnson

Opening

★☆☆☆☆

This is the work of a mind that, having needlessly spent years in therapy, became hooked on ennui or of an artist who wasted time misreading Lacan.

Sosa Joseph, Pennungal at David Zwirner ★★★★★

Sosa Joseph

Pennungal: Lives of women and girls

★★★★★

The night, finally, recognises despair and witnesses infanticide.”

James White: Every Corner Abandoned Too Soon at Anthony Wilkinson ★★★★☆

James White

Every Corner Abandoned Too Soon

★★★★☆

Paint that does this to a pile of plastic coat hangers contends with any reality.

Place Revisited at Modern Art ★★★★☆

Richard Aldrich, Prunella Clough, Masanori Tomita, Anh Trần, Terry Winters

Place Revisited

★★★★☆

One suspects the gallery of insider trading.

Noah Davis at The Barbican ★★★☆☆

Noah Davis

★★★☆☆

Davis’ canvases give an account of time more sensitively than the Victorian portrait photograph

Pakui Hardware, Maria Terese Rozanskaite, Inflammation at Lithuanian pavilion Venice ★★★☆☆

Pakui Hardware, Maria Terese Rožanskaité

Inflammation

★★★☆☆

One of the novelties in Venice is the artwork that looks good but on reflection isn’t.

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