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Autumn, eh? Ettinger’s pastel drawings look like Monet’s water lilies but caught late in the year after the garden died down and the artist’s vision faded. Gatón’s hanging of sticks and frayed plastics, once a proud scarecrow, has seen better days. Rot overpowered this subject and came for the object next. 

This could have been a scene from an ‘eco’ remake of The Blair Witch Project or an homage to Metzger. Instead, this slight show barely justifies its five-word title. A star docked for splitting the gallery in half to concurrently host an atrocious solo exhibition instead of working this local lore into a serious proposition.


notes and notices are short and curt exhibition reviews. Read more:

Oisín Byrne, Not Marble at Amanda Wilkinson ★★☆☆☆

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Byrne has a type. Or rather, he’ll paint you into one.

Hany Armanious, Circle Square at Phillipa Reid ★★☆☆☆

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The lightness of being can turn unbearable.

Dryland, the Greek pavilion in Venice ★★★★☆

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It’s Sunday in the village. And the main square is deserted.

Christo, Early Works at Gagosian Open ★★★★☆

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To appreciate Christo’s early works against his wishes, one must forget his later stunts.

Siobhan Liddell, Been and Gone at Hollybush Gardens ★★☆☆☆

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A twee aesthetics native to a grandmother’s mantlepiece collection of tourist souvenirs and devotional figurines.

Auudi Dorsey at PM/AM ★★★★☆

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Dorsey records the human experience with the true universalism of paint.

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