Kevin Brisco Jr

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★★☆☆☆

On until 18 November 2023

This show could have been solid five-star material. But I only got to see it through the gallery’s window because the staff didn’t let me come in a quarter of an hour before their official preview even though the door was wide open. That’s for the best because what I did see – paintings of foliage familiar in style from Ikea wallpapers that the press release claims are metaphors for “colonisation and migration of bodies across the Atlantic” – deserved even less attention.


notes and notices are short and curt exhibition reviews. Read more:

Anna Barriball at Frith Street Gallery ★★☆☆☆

Anna Barriball

New Drawings

★★☆☆☆

The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.

A light here required a shadow at Maximillian William ★★★☆☆

Grant Falardeau, Rimantė Mikulovičiūtė, Benjamin Sasserson, Bu Shi, Dylan Williams

A light here required a shadow

★★★☆☆

Catch the wrong end of the spectrum and forever remain obscured.

Zyad Menk: Scar Tissue at Ginny on Frederick ★★☆☆☆

Zyad Menk

Scar Tissue

★★☆☆☆

History’s scrapheap with no interpretative powers.

Open Group, The Polish pavilion in Venice ★★★☆☆

Open Group

Repeat After Me II

★★★☆☆

The applause was rapturous. A sense of tragedy, however, was altogether missing.

Tesfaye Urgessa, The Ethiopian Pavilion in Venice ★★★★★

Tesfaye Urgessa

Prejudice and Belonging

★★★★★

Urgessa’s figures are contorted in love, death, or merely life.

Alejandro Piñeiro Bello, Entre El Día Y La Noche at Pace ★☆☆☆☆

Alejandro Piñeiro Bello

Entre El Día Y La Noche

★☆☆☆☆

If only they were smaller, Piñera Ballo’s paintings would be a great hit in the shopping centre gallery your ex-army uncle just opened in Surrey. He’s gambling with the family’s savings, you condescend, but so is Pace with their show.…

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