Kevin Brisco Jr

But I Hear There Are New Suns

★★☆☆☆

On until 18 November 2023

This show could have been solid five-star material. But I only got to see it through the gallery’s window because the staff didn’t let me come in a quarter of an hour before their official preview even though the door was wide open. That’s for the best because what I did see – paintings of foliage familiar in style from Ikea wallpapers that the press release claims are metaphors for “colonisation and migration of bodies across the Atlantic” – deserved even less attention.


notes and notices are short and curt exhibition reviews. Read more:

Liam Gillick, The Sleepwalkers at Maureen Paley ★★★☆☆

Liam Gillick

The Sleepwalkers

★★★☆☆

Gillick’s practice lacks obviously consistent character, save for it is sparseness of means and the ungraspability of its referents.

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

Ghada Amer

QR CODES REVISITED—LONDON

★★☆☆☆

This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

SACCADES, Leo Arnold with Jo Baer at Brunette Coleman ★★★★☆

Leo Arnold with Jo Baer

SACCADES

★★★★☆

One dare not ask for more.

Justin Chance, Motherhood at Ginny on Frederick ★★☆☆☆

Justin Chance

Motherhood

★★☆☆☆

If only he stopped there.

Erick Meyenberg, Nos marchábamos, regresábamos siempre, the Mexican pavilion in Venice ★☆☆☆☆

Erick Meyenberg

Nos marchábamos, regresábamos siempre

★☆☆☆☆

Whatever the purpose of this confusion, it’s not to be found in the gallery.

Urs Fischer, Scratch & Sniff at Sadie Coles ★★★☆☆

Urs Fischer

Scratch & Sniff

★★★☆☆

It’s too early for a funeral, yet there’s no other reprieve in this commodity cult.

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