Co Westerik

Centenary

★★★★☆

On until 27 January 2024

Anyone intrigued by Philip Guston’s oeuvre but deterred by Tate’s £20 tickets could do worse than Co Westerik as a consolation prize. Many of this Dutch Realist painter’s canvases made between the 1970s and his death in 2018 share the American’s fondness for wrinkled lines, heavenly interventions, and a pallet of social unease. 

Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy. They look innocent but each has much to answer for. The show thus builds an industry of judgment and guilt and, unlike Guston’s whose redemption narrative was crowbarred in by circumstance, damns the viewer along with the painter.


notes and notices are short and curt exhibition reviews. Read more:

France-Lise McGurn, Strawberry at Massimodecarlo ★☆☆☆☆

France-Lise McGurn

Strawberry

★☆☆☆☆

McGurn has created the visual equivalent of elevator music.

things fall apart; the centre cannot hold at Tabula Rasa ★★★★☆

Elli Antoniou, Ali Glover, Richard Dean Hughes

things fall apart; the centre cannot hold

★★★★☆

These works could bear witness to the birth of a star or the heat death of the universe. The curators don’t know which.

Cui Jie, Thermal Currents at Pilar Corrias ★☆☆☆☆

Cui Jie

Thermal Landscapes

★☆☆☆☆

The exhibition feels like a lecture on climate change sponsored by the designers of The Line, Saudi Arabia’s dystopian plan for a 110-mile linear city in the desert.

Karrabing Film Collective, Night Fishing with Ancestors at Goldsmiths CCA ★☆☆☆☆

Karrabing Film Collective

Night Fishing with Ancestors

★☆☆☆☆

Little separates this display from a human zoo complete with curators who occasionally kettle-prod the once noble savage into a spectacular rage.

Helen Johnson, Opening at Pilar Corrias ★☆☆☆☆

Helen Johnson

Opening

★☆☆☆☆

This is the work of a mind that, having needlessly spent years in therapy, became hooked on ennui or of an artist who wasted time misreading Lacan.

Nanténé Traoré at Sultana and Amanda Wilkinson ★★☆☆☆

Nanténé Traoré

She says it's the high energy

★★☆☆☆

Bodies clash with lights in front of Traoré’s Narcissus camera.

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