Context is everything, as a judge once proclaimed. That context might need contexts, too, and Hawkins says her canvases throw back to some others, which, in turn, root their ideas in an event now too distant to recall. The verdict? Nice story, but it’s nonsense. Hawkins’s wet paint abstractions – colour washes straight out of the tube, unmixed – transparently overplay reference and recall. Painter’s tape and oil bars – what is being tied to what here? – make for barely circumstantial evidence. Left to her own devices, Hawkins (whose work, in company, was a highlight in the Condo jumble programme) reveals that her studio was no crime scene.