Anna Glantz

Lichens

★★★☆☆

On until 16 December 2023

If there is a logic to these seven paintings, Glantz makes it hard to believe. In one, half of a bright-eyed, middle-aged woman poses with a handbag and… half of a duck. One is a landscape within a landscape, and Glantz paints in a coffee cup to remind the eye that its job is to think. Another could have been a still life with fruit, but something obscures most of the scene, suggesting a more intense affair right behind. There’s also a closer portrait of another woman, this one with no gimmick. It matches the others only in its palette of lichen greens and beiges and the sparse application of paint.

Despite the purposeful distractions, each of these images commands attention. But their assembly is unsatisfying. The clues that Glantz leaves on her surfaces are also traps. There are either too many or not quite enough to follow or fall into. 


notes and notices are short and curt exhibition reviews. Read more:

Choon Mi Kim, ACID—FREEEE at Ginny on Frederick ★☆☆☆☆

Choon Mi Kim

ACID—FREEEE

★☆☆☆☆

Some forms of abstraction simply scream ‘my kid could have made that’.

Botond Keresztesi, NPC (No-one Paints Chrysopoeia) at Seventeen ★★★☆☆

Botond Keresztesi

NPC (No-one Paints Chrysopoeia)

★★★☆☆

There is no “too much” in this fantasy meme game.

TJ Wilcox, Hiding in Plain Sight at Sadie Coles HQ ★★☆☆☆

TJ Wilcox

Hiding in Plain Sight

★★☆☆☆

Vanity proceeds in circles.

Justin Chance, Motherhood at Ginny on Frederick ★★☆☆☆

Justin Chance

Motherhood

★★☆☆☆

If only he stopped there.

Armando D. Cosmos, Nothing New Under the Sun at Phillida Reid ★★★☆☆

Armando D. Cosmos

Nothing New Under the Sun

★★★☆☆

Cosmos wants to redefine STEM as the alliance of science, theosophy, engineering, and myth.

Pablo Bronstein, Cakehole at Herald Str ★★★☆☆

Pablo Bronstein

Cakehole

★★★☆☆

Bronstein falls into the late evening stupor of the cheese trolley, the oyster tray, and… the Mars bar.

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