Anna Glantz



On until 16 December 2023

If there is a logic to these seven paintings, Glantz makes it hard to believe. In one, half of a bright-eyed, middle-aged woman poses with a handbag and… half of a duck. One is a landscape within a landscape, and Glantz paints in a coffee cup to remind the eye that its job is to think. Another could have been a still life with fruit, but something obscures most of the scene, suggesting a more intense affair right behind. There’s also a closer portrait of another woman, this one with no gimmick. It matches the others only in its palette of lichen greens and beiges and the sparse application of paint.

Despite the purposeful distractions, each of these images commands attention. But their assembly is unsatisfying. The clues that Glantz leaves on her surfaces are also traps. There are either too many or not quite enough to follow or fall into. 

notes and notices are short and curt exhibition reviews. Read more:

Pauline Boty at Gazelli Art House ★★★★☆

Pauline Boty

A Portrait


This exhibition mixes the woman and her legend, but without the air of mystery she enjoyed during her lifetime.

Pakui Hardware, Maria Terese Rozanskaite, Inflammation at Lithuanian pavilion Venice ★★★☆☆

Pakui Hardware, Maria Terese Rožanskaité



One of the novelties in Venice is the artwork that looks good but on reflection isn’t.

Iris Touliatou, Outfits at PEER ★★★☆☆

Iris Touliatou



These gestures remind the gallery that it is a social space. Unfortunately, they also inadvertently point to its sorry end.

The Otolith Group, I See Infinite Distance Between Any Point and Another at greengrassi ★★☆☆☆

The Otolith Group

I See Infinite Distance Between Any Point and Another


The exhibition is a private memorial for Etel Adnan accessible only to members of the art world’s inner circle. And that’s a pity.

Michaël Borremans, The Monkey at David Zwirner ★★★★★

Michaël Borremans

The Monkey


Borremans toys with his subjects, his audience, and with art history.

Shu Lea Cheang at Project Native Informant ★★☆☆☆

Shu Lea Cheang

Scifi New Queer Cinema, 1994-2023


With material this gratuitously explicit and a curator this absent, it’s a miracle that this project wasn’t shut down by the licencing, or indeed art-historical authorities.