Iris Touliatou


On until 16 December 2023

The popularity of Institutional Critique – the artistic practice which takes the management of museums and galleries as its subject – has waxed and waned since artists like Michael Asher in the 1970s began to rearrange gallery walls and floors as though the fabric of the exhibition space was more interesting than the artefacts. Touliatou’s intervention at PEER – stripping a section of drywall, moving a door, and altering the gallery’s location on Google Maps – returns to this tradition as though nothing had changed in the meantime.

She has a point: the very purpose of art institutions is once again in question. But can Institutional Critiques’ failed experiments produce different results today? Touliatou’s twist takes her to the museum store where she assembled a collection of dozens of ceramic figurines of Jennings Dogs, the ornamental canine guardians found in the gardens of suburban homes whose 2nd-century Roman predecessor belongs to the British Museum. These gestures remind the gallery that it is a social space in which the vernacular should be at home. Unfortunately, they also inadvertently point to the gallery’s sorry end: art-free but dog-friendly.

notes and notices are short and curt exhibition reviews. Read more:

Gray Wielebinski, The Red Sun is High, the Blue Low at ICA ★☆☆☆☆

Gray Wielebinski

The Red Sun is High, the Blue Low


I knew that it was possible to understand art and life less after seeing an exhibition. I didn’t, however, imagine that experiencing Wielebinski’s work twice would only compound such damage.

Pope.L, Hospital at South London Gallery ★★★☆☆




This project lands in the joke section of Animal Farm and not as a prophecy of the Jan 6th insurrection.

Shu Lea Cheang at Project Native Informant ★★☆☆☆

Shu Lea Cheang

Scifi New Queer Cinema, 1994-2023


With material this gratuitously explicit and a curator this absent, it’s a miracle that this project wasn’t shut down by the licencing, or indeed art-historical authorities.

Sylvie Fleury, S.F. at Sprüth Magers ★★★☆☆

Sylvie Fleury



In Fleury’s car workshop cum womenswear boutique, everything is ready-made and ready-to-wear. But you can’t touch any of it and you certainly can’t afford it.

Ed Webb-Ingall, A Bedroom for Everyone at PEER ★☆☆☆☆

Ed Webb-Ingall

A Bedroom for Everyone


How can art improve the lives of communities? Wrong answers only.

Erick Meyenberg, Nos marchábamos, regresábamos siempre, the Mexican pavilion in Venice ★☆☆☆☆

Erick Meyenberg

Nos marchábamos, regresábamos siempre


Whatever the purpose of this confusion, it’s not to be found in the gallery.