Michael Andrew Page



On until 17 February 2024

When e-flux adds #neurodivergent to the tags they use to big-data all art, Page’s paintings are sure to make the top of the set. His linen oils, as repetitious as they are meticulously executed, point to a preoccupation that few minds sustain. In granular but confusing detail, each explodes a grand structure. 

The arches, columns, and domes – half implied, half drawn in near one-to-one scale – could be the features of a cathedral. CAD, image transfers, and meditation all leave marks on these diagrams. The show’s titles then turn these monuments and their much poorer, windswept cousins into defenders of life’s frailty. Finally, they become the structures of life itself.

All this is pleasing to look at for an #actuallyautistic mind until it remembers that Page’s tent, brain, and the cathedral take the same form for a pretty good reason. To share in this discovery is the purpose of art.

notes and notices are short and curt exhibition reviews. Read more:

Nicola Turner, Edward Bekkerman at Shtager&Shch ★★☆☆☆

Nicola Turner, Edward Bekkerman

The Song of Psyche: Corners of a Soul's Otherworlds


Who opens a space in Fitzrovia only to fill it with such drivel?

Material Rites at Gathering ★★★☆☆

Fritsch, Genzken, Oldenburg, Shani, Sherman, Smithson, Thek

Material Rites


The instincts are right, but too much makes sense to make sense together.

Mandy El-Sayegh, Interiors at Thaddeus Ropac ★★☆☆☆

Mandy El-Sayegh



For the abundance of material, there simply aren’t enough ideas in the exhibition to go around these Mayfair interiors.

Sula Bermúdez-Silverman, Bad Luck Rock at Josh Lilley ★★☆☆☆

Sula Bermúdez-Silverman

Bad Luck Rock


This is a poor man’s version of history or a philistine collector’s absolution.

Women in Revolt! at Tate ★★★☆☆

Women in Revolt!


There’s a room for female labour, a corner for childbirth, one for black women, and a section for lesbians. This is as close to nuance as Tate gets today.

Entangled Pasts at The Royal Academy ★★☆☆☆

Entangled Pasts, 1768–now


Who could have thought that these mantras would turn into rote?