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Claustrum

★★★★☆

On until 17 February 2024

When e-flux adds #neurodivergent to the tags they use to big-data all art, Page’s paintings are sure to make the top of the set. His linen oils, as repetitious as they are meticulously executed, point to a preoccupation that few minds sustain. In granular but confusing detail, each explodes a grand structure. 

The arches, columns, and domes – half implied, half drawn in near one-to-one scale – could be the features of a cathedral. CAD, image transfers, and meditation all leave marks on these diagrams. The show’s titles then turn these monuments and their much poorer, windswept cousins into defenders of life’s frailty. Finally, they become the structures of life itself.

All this is pleasing to look at for an #actuallyautistic mind until it remembers that Page’s tent, brain, and the cathedral take the same form for a pretty good reason. To share in this discovery is the purpose of art.


notes and notices are short and curt exhibition reviews. Read more:

Future Relics at Union Pacific ★★★★☆

Future Relics

★★★★☆

“Reskilling” has the same ring in art as “reindustrialisation” does in geopolitics.

Justin Caguiat, Dreampop at Modern Art ★★★★☆

Justin Caguiat

Dreampop

★★★★☆

This is the sort of exhibition that makes a critic question the quality of their judgment.

Aziza Kadyri, the Uzbekistan pavilion in Venice ★★★★☆

Aziza Kadyri

Don't Miss the Cue

★★★★☆

This dissonance might be intentional. If it isn’t, so much for the better.

Eva Rothschild at Modern Art ★★☆☆☆

Eva Rothschild

★★☆☆☆

These sculptures are too clean, too ordered, and too clever for no good reason.

Matthew Barney, SECONDARY at Sadie Coles HQ ★★★☆☆

Matthew Barney

SECONDARY: light lens parallax

★★★☆☆

Secondary turns the gallery into an American Football stadium. But all the seats in the house are the cheap seats and the game lacks a cheerleader.

Jennifer Bartlett, In the House at Pippy Houldsworth ★★★★☆

Jennifer Bartlett

In the House

★★★★☆

“Sky”, “roof”, “31”, a mantra turns into paint.

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