Christopher Aque, Alekos Fassianos, Luigi Ghirri, Jessie Stevenson, George Tourkovasilis



On until 17 February 2024

Ithaca encapsulates the art world’s current seasonal nostalgia and ritual displays of homesickness. Fittingly, this project takes its name from 1911 verse by modern Greece’s national poet C. P. Cavafy and not Homer’s blueprint. George Tourkovasilis’ candid snapshots of Hellenic youths arrest the anxious onset of adulthood. Alekos Fassianos’ oil portraits show mythical man-gods locked in a battle with time as if this were their lot forever.

What’s new becomes old. Christopher Aque’s photographs bleached out by the scorching sun call for a bygone innocence even though their subject knows death. Luigi Ghirri’s postcard images mix signposts and signifiers and where is home next is yet to be found. Only Jessie Stevenson’s abstracted oil views of North Norfolk marshlands turn to the natural entirely and thus leave Odysseus with no landmark to set his sail by.

Such escapism, typical of Herald St’s programme, becomes increasingly difficult to pull off. This show drips with affectation that wouldn’t survive a minute tomorrow. But all is forgiven in this land of other people’s memories. Some artists, we fantasize, may yet reach their land. 

notes and notices are short and curt exhibition reviews. Read more:

Kevin Brisco Jr, But I Hear There Are New Suns at Union Pacific ★★☆☆☆

Kevin Brisco Jr

But I Hear There Are New Suns


I didn’t get to see this show. Perhaps for the best.

Erick Meyenberg, Nos marchábamos, regresábamos siempre, the Mexican pavilion in Venice ★☆☆☆☆

Erick Meyenberg

Nos marchábamos, regresábamos siempre


Whatever the purpose of this confusion, it’s not to be found in the gallery.

Harmony Korine, Aggressive Dr1fter Part II at Hauser & Wirth ★★☆☆☆

Harmony Korine

Aggressive Dr1fter Part II


The garish colours which may have carried the story in cinema here are unfitting of their new medium.

Hannah Tilson, Soft Cut at Cedric Bardawil ★★☆☆☆

Hannah Tilson

Soft Cut


Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.

Justin Caguiat, Dreampop at Modern Art ★★★★☆

Justin Caguiat



This is the sort of exhibition that makes a critic question the quality of their judgment.

Sin Wei Kin, Portraits at Soft Opening ★★☆☆☆

Sin Wei Kin



This exhibition combines the most vulgar of all art school tropes: juvenile narcissism, NFT kitsch, and mindless referentialism.