looking to the futurepast, we are treading forward

★☆☆☆☆

On until 24 November 2024

The Russian Federation and Bolivia signed a $450 million Lithium deal last December. Its extra contractual perk of free rent on Russia’s Giardini pavilion clearly took the South American state’s Ministry of Cultures, Decolonization, and Depatriarchalization (yes, that’s the real name of the governmental body) by surprise and it barely succeeded in finding content for the presentation.

Thankfully, the tourist office dug up a museum demo of traditional yarn-spinning and a bunch of naive folk paintings came out from the store. A set of panpipes tucked in the corner signal that the contemporary is of no interest to a nation whose future is yet to be dug out from the ground. One star is due, however, for this project’s unintentional geopolitical relevance.


notes and notices are short and curt exhibition reviews. Read more:

Oh, the Storm at Rodeo ★☆☆☆☆

Oh, the Storm

★☆☆☆☆

This exhibitions is trying to explain the concept of ‘crazy paving’ to a blind man. It’s impossible to tell where a work ends and the wall begins.

Alejandro Piñeiro Bello, Entre El Día Y La Noche at Pace ★☆☆☆☆

Alejandro Piñeiro Bello

Entre El Día Y La Noche

★☆☆☆☆

If only they were smaller, Piñera Ballo’s paintings would be a great hit in the shopping centre gallery your ex-army uncle just opened in Surrey. He’s gambling with the family’s savings, you condescend, but so is Pace with their show.…

Karrabing Film Collective, Night Fishing with Ancestors at Goldsmiths CCA ★☆☆☆☆

Karrabing Film Collective

Night Fishing with Ancestors

★☆☆☆☆

Little separates this display from a human zoo complete with curators who occasionally kettle-prod the once noble savage into a spectacular rage.

Lydia Gifford, Low Anchored Cloud at Alma Pearl ★★☆☆☆

Lydia Gifford

Low Anchored Cloud

★★☆☆☆

Oil paint applied so thickly that it’s a miracle the canvases don’t bring the gallery walls down with them

Aria Dean, Abattoir at ICA ★★★☆☆

Aria Dean

Abattoir

★★★☆☆

Visuals of her own making overpower the artist.

Jack O’Brien, The Reward at Camden Art Centre ★★☆☆☆

Jack O'Brien

The Reward

★★☆☆☆

No narrative emerges from the tonnes of steel and plastic his work consumed

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