looking to the futurepast, we are treading forward

★☆☆☆☆

On until 24 November 2024

The Russian Federation and Bolivia signed a $450 million Lithium deal last December. Its extra contractual perk of free rent on Russia’s Giardini pavilion clearly took the South American state’s Ministry of Cultures, Decolonization, and Depatriarchalization (yes, that’s the real name of the governmental body) by surprise and it barely succeeded in finding content for the presentation.

Thankfully, the tourist office dug up a museum demo of traditional yarn-spinning and a bunch of naive folk paintings came out from the store. A set of panpipes tucked in the corner signal that the contemporary is of no interest to a nation whose future is yet to be dug out from the ground. One star is due, however, for this project’s unintentional geopolitical relevance.


notes and notices are short and curt exhibition reviews. Read more:

Abdullah Al Saadi, Sites of Memory, Sites of Amnesia, UAE pavilion in Venice ★★★☆☆

Abdullah Al Saadi

Sites of Memory, Sites of Amnesia

★★★☆☆

The exhibition’s user experience rivals that of the Apple Store.

Vinca Petersen, Me, Us and Dogs at Edel Assanti ★★★☆☆

Vinca Petersen

Me, Us and Dogs

★★★☆☆

Close up, Petersen’s innocents today conjure ideas of redneck resistance. At scale, of state-marketed utopia. The middle ground is envy.

Christopher Wool at Gagosian ★★★☆☆

Christopher Wool

★★★☆☆

No room for the eye, no way to follow the line.

Hany Armanious, Circle Square at Phillipa Reid ★★☆☆☆

Hany Armanious

Circle Square

★★☆☆☆

The lightness of being can turn unbearable.

Xie Nanxing, Hello, Portrait! at Thomas Dane ★★★★☆

Xie Nanxing

Hello, Portrait!

★★★★☆

Looking at Xie’s portraits is a little like wearing a virtual reality headset over only one eye.

Jordan Derrien, Painted on a Wall of the Inn at Marlotte at Des Bains ★★☆☆☆

Jordan Derrien

Painted on a Wall of the Inn at Marlotte

★★☆☆☆

Derrien has his audience discussing the nature of paint drying out loud.

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