looking to the futurepast, we are treading forward

★☆☆☆☆

On until 24 November 2024

The Russian Federation and Bolivia signed a $450 million Lithium deal last December. Its extra contractual perk of free rent on Russia’s Giardini pavilion clearly took the South American state’s Ministry of Cultures, Decolonization, and Depatriarchalization (yes, that’s the real name of the governmental body) by surprise and it barely succeeded in finding content for the presentation.

Thankfully, the tourist office dug up a museum demo of traditional yarn-spinning and a bunch of naive folk paintings came out from the store. A set of panpipes tucked in the corner signal that the contemporary is of no interest to a nation whose future is yet to be dug out from the ground. One star is due, however, for this project’s unintentional geopolitical relevance.


notes and notices are short and curt exhibition reviews. Read more:

Lara Favaretto at Biblioteca Marciana in Venice ★☆☆☆☆

Lara Favaretto

★☆☆☆☆

Burning the art student’s undergraduate essays won’t solve the problem.

transfeminisms Chapter IV at Mimosa House ★☆☆☆☆

transfeminisms Chapter IV: Care and Kinship

★☆☆☆☆

Lack of care for the artefact is a strange USP for a gallery.

Means of Reproduction at Emalin ★★☆☆☆

Means of Reproduction

★★☆☆☆

Is consumption is the greatest form of anticapitalism?

Tommy Camerno, Delirious at Filet ★★☆☆☆

Tommy Camerno

Delirious

★★☆☆☆

What’s left of the show are stage props that feed adolescent imaginations with false memories of the long-finished party.

Justin Caguiat, Dreampop at Modern Art ★★★★☆

Justin Caguiat

Dreampop

★★★★☆

This is the sort of exhibition that makes a critic question the quality of their judgment.

Claire Fontaine: Show Less at Mimosa House ★★☆☆☆

Claire Fontaine

Show Less

★★☆☆☆

Repeat these mantras enough, and the lie becomes art.

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