looking to the futurepast, we are treading forward

★☆☆☆☆

On until 24 November 2024

The Russian Federation and Bolivia signed a $450 million Lithium deal last December. Its extra contractual perk of free rent on Russia’s Giardini pavilion clearly took the South American state’s Ministry of Cultures, Decolonization, and Depatriarchalization (yes, that’s the real name of the governmental body) by surprise and it barely succeeded in finding content for the presentation.

Thankfully, the tourist office dug up a museum demo of traditional yarn-spinning and a bunch of naive folk paintings came out from the store. A set of panpipes tucked in the corner signal that the contemporary is of no interest to a nation whose future is yet to be dug out from the ground. One star is due, however, for this project’s unintentional geopolitical relevance.


notes and notices are short and curt exhibition reviews. Read more:

Yoko Ono at Tate ★★★☆☆

Yoko Ono

Music of the Mind

★★★☆☆

This show will sell tickets. But it won’t change the weather.

Alexandre Canonico, Still at Ab Anbar ★★★☆☆

Alexandre Canonico

Still

★★★☆☆

Conanico’s slight structures look like they could take flight at any moment.

Hannah Black: HUSH MR GIANT at Arcadia Missa ★☆☆☆☆

Hannah Black

HUSH MR GIANT

★☆☆☆☆

What’s wrong with rights makes no right with painting.

Carla Åhlander, Aaron Amar Bhamra, Holding Places at Belmacz ★★★☆☆

Carla Åhlander, Aaron Amar Bhamr

Holding Places

★★★☆☆

The illusion is as good as complete.

Maja Malou Lyse: Things to Come at the Danish pavilion in Venice ★★★★★

Maja Malou Lyse

Things to Come

★★★★★

Eros is dead. Long live Eros.

Tamara Henderson, Green in the Grooves at Camden Art Centre ★★★★☆

Tamara Henderson

Green in the Grooves

★★★★☆

The whole thing feels like a remake of Wind in the Willows directed by a garden gnome.

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