looking to the futurepast, we are treading forward

★☆☆☆☆

On until 24 November 2024

The Russian Federation and Bolivia signed a $450 million Lithium deal last December. Its extra contractual perk of free rent on Russia’s Giardini pavilion clearly took the South American state’s Ministry of Cultures, Decolonization, and Depatriarchalization (yes, that’s the real name of the governmental body) by surprise and it barely succeeded in finding content for the presentation.

Thankfully, the tourist office dug up a museum demo of traditional yarn-spinning and a bunch of naive folk paintings came out from the store. A set of panpipes tucked in the corner signal that the contemporary is of no interest to a nation whose future is yet to be dug out from the ground. One star is due, however, for this project’s unintentional geopolitical relevance.


notes and notices are short and curt exhibition reviews. Read more:

Nick Relph, Fils, ta vision! at Herald St ★☆☆☆☆

Nick Relph

Fils, ta vision!

★☆☆☆☆

There’s little for the eye to hang on and none of the punk culture of Relph’s earlier practice emerges from the works.

Rheim Alkadhi, Templates for Liberation at ICA ★★☆☆☆

Rheim Alkadhi

Templates for Liberation

★★☆☆☆

When truth and artifice are so bluntly opposed, what use is aesthetics?

Max Hooper Schneider, Twilight at the Earth’s Crust at Maureen Paley ★★☆☆☆

Max Hooper Schneider

Twilight at the Earth’s Crust

★★☆☆☆

Mad Max meets Waterworld in a crossover sequel conceived by a film studio’s marketing department.

Dryland, the Greek pavilion in Venice ★★★★☆

Thanasis Deligiannis, Yannis Michalopoulos

Xirómero/Dryland

★★★★☆

It’s Sunday in the village. And the main square is deserted.

Roland Knowlden: Negations at House Work Presents ★★★☆☆

Roland Knowlden

Negations

★★★☆☆

An exhausted porcupine and an architectural war plan.

Hannah Tilson, Soft Cut at Cedric Bardawil ★★☆☆☆

Hannah Tilson

Soft Cut

★★☆☆☆

Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.

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