“Like people, rabbits come in a variety of different shapes, sizes, and colours”, the exhibition handout warns visitors. Beware, ye faint of heart because Gatewood has bred at least a dozen. She has a story for each and each is more thrilling than the last. The show’s a dive down the warren and it will leave you breathless. 

But not thanks to the qualities of her rainbow pastels. No. These rabbits are, to swap Gatewood’s idiotic euphemism for another, stand-ins for ‘historically oppressed people’. “Children of the projects” appear in one. Others, she explains, are the alter egos of Toni Morrison, David Hammons, and Kara Walker. 

As though this couldn’t get any more patronising, the bunnies preach morals. “Rearrange yourself as an act of humility,” one challenges the bamboozled viewer. Such thin metaphors could only have come from LA. Did Gatewood look at her “In This House We Believe” yard sign and think that it needed some furries?