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Group Relations

★☆☆☆☆

On until 2 March 2024

“Like people, rabbits come in a variety of different shapes, sizes, and colours”, the exhibition handout warns visitors. Beware, ye faint of heart because Gatewood has bred at least a dozen. She has a story for each and each is more thrilling than the last. The show’s a dive down the warren and it will leave you breathless. 

But not thanks to the qualities of her rainbow pastels. No. These rabbits are, to swap Gatewood’s idiotic euphemism for another, stand-ins for ‘historically oppressed people’. “Children of the projects” appear in one. Others, she explains, are the alter egos of Toni Morrison, David Hammons, and Kara Walker. 

As though this couldn’t get any more patronising, the bunnies preach morals. “Rearrange yourself as an act of humility,” one challenges the bamboozled viewer. Such thin metaphors could only have come from LA. Did Gatewood look at her “In This House We Believe” yard sign and think that it needed some furries?


notes and notices are short and curt exhibition reviews. Read more:

Ghada Amer, QR CODES REVISITED—LONDON at Goodman ★★☆☆☆

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QR CODES REVISITED—LONDON

★★☆☆☆

This invites a game of proofreading, in hope that Amer maliciously inserted a greengrocer’s apostrophe into de Beauvoir’s mind.

Patricia Ferguson, Each Little Scar at FILET ★★★★☆

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★★★★☆

No medium is better suited to anxiety and dread.

I’m so gay for you at Miłość ★★☆☆☆

I'm so gay for you

★★☆☆☆

This “celebration of queerness” is no orgy

Esteban Jefferson, May 25th, 2020 at Goldsmiths CCA ★★★☆☆

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May 25th, 2020

★★★☆☆

This exhibition is a warning to would-be propagandists: trust art at your peril.

Ignacy Czwartos, Polonia Uncensored, Venice ★★☆☆☆

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Polonia Uncensored

★★☆☆☆

Czwartos’ painting proves little and his sign-writer’s hand loses art history’s bet.

Anna Glantz, Lichens at Approach ★★★☆☆

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Lichens

★★★☆☆

The clues that Glantz leaves on her surfaces are also traps. There are either too many or not quite enough to follow or fall into. 

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