Jordan Derrien

Painted on a Wall of the Inn at Marlotte

★★☆☆☆

On until 20 July 2024

For the simplicity of its conceptual gesture, Derrien’s series of wall paintings – quite literally fragments of canvas walls covered in what could be domestic paint and framed by white skirting boards – is riven with confusion. No detail is apparent in these works at first glance. Their modest scale and systematic, paired presentation demand close inspection. 

The scrutiny yields reward. Subtle textural differences between the canvases emerge. One wonders if Derrien got his acrylics from Dulux and if he applied them with rollers rather than careful brushstrokes. Before long, the artist has his audience discussing the nature of paint drying out loud.

This is for nothing, however, because the artist forgot that his concept lies in its execution. His frames are shoddy, as though a cut-rate decorator assembled them to order. The wood mouldings are rickety, the canvas edges messy. This may have been intentional, but if so, Derrien’s work is no more than a poor copy of life and therefore redundant. If it’s an oversight, it discredits the whole genre.


notes and notices are short and curt exhibition reviews. Read more:

Amilia Graham, The Crust at Scatological Rites of All Nations ★★☆☆☆

Amilia Graham

The Crust

★★☆☆☆

Each show lasts no more than three hours, and it’s bring-your-own booze.

Justin Caguiat, Dreampop at Modern Art ★★★★☆

Justin Caguiat

Dreampop

★★★★☆

This is the sort of exhibition that makes a critic question the quality of their judgment.

Co Westerik, Centenary at Sadie Coles HQ ★★★☆☆

Co Westerik

Centenary

★★★★☆

Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy.

Alex Katz, Spring at Timothy Taylor ★★☆☆☆

Alex Katz

Spring

★★☆☆☆

The emperor’s clothes have moth holes.

Siobhan Liddell, Been and Gone at Hollybush Gardens ★★☆☆☆

Siobhan Liddell

Been and Gone

★★☆☆☆

A twee aesthetics native to a grandmother’s mantlepiece collection of tourist souvenirs and devotional figurines.

The last train after the last train at Public ★★★☆☆

The last train after the last train

★★★☆☆

The failed magic tricks in Lyndon Barrois Jr.’s canvases would hang in the final scene of Chinese Roulette in which everyone turns against everyone.

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