Gina Fischli
Love Love Love


On until 13 April 2024

What good it is to be best in show when the competition is lame, crooked, or outright fake? Fischli’s Kennel Club parade of papier mâché dogs and stuffed cats is so inclusive that a plissé pug, a cross-stitch beaver, and even a tartan bunny have snuck onto the catwalk. In the gallery’s pristine interior, this motley victory parade is watched over by a canary and a feline with a fetish for denim. These natural enemies have suspended their squabbles so they can lull their prey into a sense of security as fragile as the gypsum fur ornaments that are the source of their pride.

What this contest lacks in hierarchy, it compensates for in irreverence. Fischli’s manner is not dissimilar to that of her namesake and countryman Peter (of ‘and Weiss’ fame), and her humorous affectation can today come across as insincere or imprecise. But if taken at face value, this project’s satire gets it the rosette.

notes and notices are short and curt exhibition reviews. Read more:

Tamara Henderson, Green in the Grooves at Camden Art Centre ★★★★☆

Tamara Henderson

Green in the Grooves


The whole thing feels like a remake of Wind in the Willows directed by a garden gnome.

Saccharine Symbols at Rose Easton ★★★☆☆

Marisa Krangwiwat Holmes, Shamiran Istifan, Tasneem Sarkez

Saccharine Symbols


Meaning parts with the image in this exhibition, never to return. Post-structuralism triumphs.

Esteban Jefferson, May 25th, 2020 at Goldsmiths CCA ★★★☆☆

Esteban Jefferson

May 25th, 2020


This exhibition is a warning to would-be propagandists: trust art at your peril.

Peter Fischli and David Weiss at Sprüth Magers ★★★★☆

Peter Fischli and David Weiss


A police procedural turns into a drinking game of Foucauldian power analysis.

Nicole Eisenman, What Happened at Whitechapel Gallery ★★★☆☆

Nicole Eisenman

What Happened


There’s a Bosch hellscape dedicated to Trump and a whole “basket of deplorables” polishing their guns in a prepper cell.

Vinca Petersen, Me, Us and Dogs at Edel Assanti ★★★☆☆

Vinca Petersen

Me, Us and Dogs


Close up, Petersen’s innocents today conjure ideas of redneck resistance. At scale, of state-marketed utopia. The middle ground is envy.