Leonardo Drew

Ubiquity II

★★☆☆☆

On until 7 September 2025

Everything turns to dust: there are many ways to misunderstand entropy. Drew piles up charred and stained wood boards as though to assemble a mountain. Then he does it some more, all the while claiming that this toil finds its own meaning.

That it would is a contradiction in terms. If it does, it’s not in the gallery and not for the viewer. The stack-it-high excess of Drew’s installation aims for spectacle, but its matter is too predetermined to spark revelation. Its smells and textures, likewise, are too obvious and too done already to deceive the senses into oblivion.

The whole get-up’s a ruse, anyhow: a parallel show in the artist’s commercial gallery revealed that the disorder of Drew’s installation work is a side-hustle to cutesy colour-coord grids. It’d take some grand physics to turn the two projects into a before-and-after cartoon strip.


notes and notices are short and curt exhibition reviews. Read more:

Matthew Barney, SECONDARY at Sadie Coles HQ ★★★☆☆

Matthew Barney

SECONDARY: light lens parallax

★★★☆☆

Secondary turns the gallery into an American Football stadium. But all the seats in the house are the cheap seats and the game lacks a cheerleader.

Tacita Dean: Black, Green, Green and White at Frith Street Gallery ★☆☆☆☆

Tacita Dean

Black, Green, Green and White

★☆☆☆☆

Film studies lost to mobile video; Dean phones it in.

Harmony Korine, Aggressive Dr1fter Part II at Hauser & Wirth ★★☆☆☆

Harmony Korine

Aggressive Dr1fter Part II

★★☆☆☆

The garish colours which may have carried the story in cinema here are unfitting of their new medium.

Will Gabaldón, Flicker at Union Pacific ★★★☆☆

Will Gabaldón

Flicker

★★★☆☆

Gabaldón reinvents the pastoral for the Instagram generation.

James White: Every Corner Abandoned Too Soon at Anthony Wilkinson ★★★★☆

James White

Every Corner Abandoned Too Soon

★★★★☆

Paint that does this to a pile of plastic coat hangers contends with any reality.

Oh, the Storm at Rodeo ★☆☆☆☆

Oh, the Storm

★☆☆☆☆

This exhibitions is trying to explain the concept of ‘crazy paving’ to a blind man. It’s impossible to tell where a work ends and the wall begins.

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