Max Boyla

Crying like a fire in the sun

★★☆☆☆

On until 6 April 2024

Boyla’s sky-sizes canvases rendered in bleached ink mauves, pinks, and rust are the product of meditation that turned into catatonia. These images are reminiscent of tie-dye t-shirts more than of the sun’s coronal explosions or even the blotchy floaters one occasionally sees in their field of vision. A slightly quirky hang which has the paintings hover oddly above the floor and the gallery’s lighting grid replaced by singular sources force-aestheticise this non-experience. 

Rothko’s abstractions are said to have induced tears in viewers overwhelmed by abstraction. Staring at the sun here, however, barely causes blindness.


notes and notices are short and curt exhibition reviews. Read more:

Asami Shoji et al., Gestures of Resistance at A.I. ★★★★☆

Asami Shoji et al.

Gestures of Resistance

★★★★☆

The figures appear as though in x-ray and helplessly foretell their own ends.

Yannis Maniatakos, Four Paintings at Sylvia Kouvali ★★★☆☆

Estate of Yiannis Maniatakos

Four Paintings

★★★☆☆

Examining the paintings in the gallery’s bright lights doesn’t lift their mystery.

Andreas Angelidakis: Escape Room at the Greek pavilion in Venice ★★☆☆☆

Andreas Angelidakis

Escape Room

★★☆☆☆

Make Plato’s Cave Great Again

Open Group, The Polish pavilion in Venice ★★★☆☆

Open Group

Repeat After Me II

★★★☆☆

The applause was rapturous. A sense of tragedy, however, was altogether missing.

Will Gabaldón, Flicker at Union Pacific ★★★☆☆

Will Gabaldón

Flicker

★★★☆☆

Gabaldón reinvents the pastoral for the Instagram generation.

Slawn at Saatchi Yates ★★☆☆☆

Slawn

★★☆☆☆

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