Thibault Aedy, Dilara Koz

Caressed and Polished and Drained and Washed


On until 26 May 2024

What does it mean to put on an exhibition? In a culture where AI can fake installation shots of any object in any interior faster than one can scroll the feed, to bring material substance and human minds together is to enter a competition for permanence. 

Koz’s miniature sticker snapshot records of life, though, and other detritus are printed on unstable thermal transfer paper. The artist shows them off, however, in frames and folders reminiscent of the once powerful institutions of memory such as the archive, the court, or maybe the temple. But these structures are long forgotten. Koz’s images too will fade without further notice.

Aedy’s bodily manifestations place equal faith in technology but hope to avoid such decay. A delicate crystal resin skeleton and a hefty rubber wedge allude to human sex and the messy stuff of reproduction. These objects will outlast the flesh, the tale of Oedipus, and any sepia family portrait. But their synthetic structure forecloses the possibility of life beyond the pop-up show’s closing date.

notes and notices are short and curt exhibition reviews. Read more:

Cui Jie, Thermal Currents at Pilar Corrias ★☆☆☆☆

Cui Jie

Thermal Landscapes


The exhibition feels like a lecture on climate change sponsored by the designers of The Line, Saudi Arabia’s dystopian plan for a 110-mile linear city in the desert.

Choon Mi Kim, ACID—FREEEE at Ginny on Frederick ★☆☆☆☆

Choon Mi Kim



Some forms of abstraction simply scream ‘my kid could have made that’.

Robert Rauschenberg, ROCI at Thaddeus Ropac ★★★☆☆

Robert Rauschenberg



This project outs Rauschenberg as a propagandist if not an outright Fed.

Max Boyla, Crying like a fire in the sun at Workplace ★★☆☆☆

Max Boyla

Crying like a fire in the sun


Rothko’s abstractions are said to have induced tears in viewers overwhelmed by abstraction. Staring at the sun here, however, barely causes blindness.

Hannah Tilson, Soft Cut at Cedric Bardawil ★★☆☆☆

Hannah Tilson

Soft Cut


Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.

Open Group, The Polish pavilion in Venice ★★★☆☆

Open Group

Repeat After Me II


The applause was rapturous. A sense of tragedy, however, was altogether missing.