Mohammad Ghazali

Trilogy: Then…


On until 6 April 2024

Two runs of austere, monochrome images line the gallery’s walls. One documents the construction of what could be a modern Persepolis. Rebar and concrete tower over the sky, columns spring from the mud below. Silver gelatine permeates all surfaces and commands respect like the false gods to whom this edifice is devoted.

Across the room, dozens of even more formally composed images of Tehran streets. Each bears a mark of a protest, so silent that you might miss it. No people are present in these scenes. This makes them eerie and poignantly defeated. 

It’s hard to read these pictures without falling into Ghazali’s sentimental trap. Repetition and framing are photography’s greatest tricks. But the sheer industry of this analogue production proves that something in front of the lens must have been worth keeping. One only hopes that this reality measures up to the shot.

notes and notices are short and curt exhibition reviews. Read more:

Deimantas Narkevičus, The Fifer at Maureen Paley ★★☆☆☆

Deimantas Narkevičus

The Fifer


In the age of the decolonial, this is as quaint as it is outmoded

Vlatka Horvat, The Croatian Pavilion in Venice ★★☆☆☆

Vlatka Horvat

By the Means at Hand


This closed circulation project speaks to and agrees with only itself.

Esteban Jefferson, May 25th, 2020 at Goldsmiths CCA ★★★☆☆

Esteban Jefferson

May 25th, 2020


This exhibition is a warning to would-be propagandists: trust art at your peril.

Calla Henkel & Max Pitegoff, I.W. Payne, Downtown at 243 Luz ★★★★☆

Calla Henkel & Max Pitegoff, I.W. Payne



This project has no room for breath and even less for context.

Co Westerik, Centenary at Sadie Coles HQ ★★★☆☆

Co Westerik



Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy.

Trevor Yeung, Hong Kong in Venice ★★★☆☆

Trevor Yeung

Courtyard of Attachments


This fishbowl universe is easy sea comfort but ultimately no sushi.