Merike Estna

The House of Leaking Sky

★★☆☆☆

On until 22 November 2026

Is painting better than basketball? Estna’s Estonian pavilion is one of those ‘come back in three months’ dos that have the artist working on site for the duration of the Biennale. Not a bad way to catch an afternoon’s Aperol sun. Less great, however, for the school kids who gave up their sports hall for the painter’s studio.

The glossy tile flooring and gesso-clad walls overlaid on the court do carry a promise of an immersive vista — and Estna is a capable painter. But the whole thing’s a racket, and not one useful for sport. 


notes and notices are short and curt exhibition reviews. Read more:

Maso Nakahara: Floating Through Time at Pippy Houldsworth ★★★★☆

Maso Nakahara

Floating Through Time

★★★★☆

Biblical floods, the comet’s fall, and the odd tsunami mercilessly toss Nakahara’s protagonists about.

Sophie Huckfield: Lady Ludd at Outpost, Norwich ★★☆☆☆

Sophie Huckfield

Lady Ludd

★★☆☆☆

Huckfield crowbars made-up heroes into past revolutions to pose as the saviour in the next one.

Choon Mi Kim, ACID—FREEEE at Ginny on Frederick ★☆☆☆☆

Choon Mi Kim

ACID—FREEEE

★☆☆☆☆

Some forms of abstraction simply scream ‘my kid could have made that’.

Tesfaye Urgessa, The Ethiopian Pavilion in Venice ★★★★★

Tesfaye Urgessa

Prejudice and Belonging

★★★★★

Urgessa’s figures are contorted in love, death, or merely life.

Erick Meyenberg, Nos marchábamos, regresábamos siempre, the Mexican pavilion in Venice ★☆☆☆☆

Erick Meyenberg

Nos marchábamos, regresábamos siempre

★☆☆☆☆

Whatever the purpose of this confusion, it’s not to be found in the gallery.

Robert Rauschenberg, ROCI at Thaddeus Ropac ★★★☆☆

Robert Rauschenberg

ROCI

★★★☆☆

This project outs Rauschenberg as a propagandist if not an outright Fed.

×