Merike Estna

The House of Leaking Sky

★★☆☆☆

On until 22 November 2026

Is painting better than basketball? Estna’s Estonian pavilion is one of those ‘come back in three months’ dos that have the artist working on site for the duration of the Biennale. Not a bad way to catch an afternoon’s Aperol sun. Less great, however, for the school kids who gave up their sports hall for the painter’s studio.

The glossy tile flooring and gesso-clad walls overlaid on the court do carry a promise of an immersive vista — and Estna is a capable painter. But the whole thing’s a racket, and not one useful for sport. 


notes and notices are short and curt exhibition reviews. Read more:

Soufiane Ababri, Their mouths at Barbican ★★☆☆☆

Soufiane Ababri

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Ababri’s paintings for the Grindr generation are more cartoonish than they are from life.

Paper Tiger Television at Goldsmiths CCA ★★☆☆☆

Paper Tiger Television

It’s 8:30. Do you know where your brains are?

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Hand-painted backdrops and cardboard props appeal to institutional leaders stuck in Blue Peter nostalgia.

Pamela Phatsimo Sunstrum, It Will End In Tears at Barbican Curve ★★☆☆☆

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It Will End In Tears

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With the right lighting, this story could be a mid-century colonial classic.

Slawn at Saatchi Yates ★★☆☆☆

Slawn

★★☆☆☆

Do you like KAWS but find him too expensive?

Yi To, Terminal Lucidity at Project Native Informant ★★★★☆

Yi To

Terminal Lucidity

★★★★☆

All evidence erodes eventually.

Sula Bermúdez-Silverman, Bad Luck Rock at Josh Lilley ★★☆☆☆

Sula Bermúdez-Silverman

Bad Luck Rock

★★☆☆☆

This is a poor man’s version of history or a philistine collector’s absolution.

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