Merike Estna

The House of Leaking Sky

★★☆☆☆

On until 22 November 2026

Is painting better than basketball? Estna’s Estonian pavilion is one of those ‘come back in three months’ dos that have the artist working on site for the duration of the Biennale. Not a bad way to catch an afternoon’s Aperol sun. Less great, however, for the school kids who gave up their sports hall for the painter’s studio.

The glossy tile flooring and gesso-clad walls overlaid on the court do carry a promise of an immersive vista — and Estna is a capable painter. But the whole thing’s a racket, and not one useful for sport. 


notes and notices are short and curt exhibition reviews. Read more:

Talar Aghabshian, Solace of the Afterimage at Marfa’ at The Approach ★★☆☆☆

Talar Aghbashian

Solace of the Afterimage

★★☆☆☆

The carpet dealer gallerist’s zeal reveals the work’s lamentable inadequacy. 

Roe Etheridge, Happy Birthday Louise Parker II at Gagosian ★★☆☆☆

Roe Etheridge

Happy Birthday Louise Parker II

★★☆☆☆

Etheridge’s method finds an extreme in this tiny pass-by display.

Nicole Eisenman, What Happened at Whitechapel Gallery ★★★☆☆

Nicole Eisenman

What Happened

★★★☆☆

There’s a Bosch hellscape dedicated to Trump and a whole “basket of deplorables” polishing their guns in a prepper cell.

Tamara Henderson, Green in the Grooves at Camden Art Centre ★★★★☆

Tamara Henderson

Green in the Grooves

★★★★☆

The whole thing feels like a remake of Wind in the Willows directed by a garden gnome.

Dayanita Singh at Frith Street Gallery ★★☆☆☆

Dayanita Singh

★★☆☆☆

Singh’s pictures cold have been made by at least three other Frith Street artists.

Paper Tiger Television at Goldsmiths CCA ★★☆☆☆

Paper Tiger Television

It’s 8:30. Do you know where your brains are?

★★☆☆☆

Hand-painted backdrops and cardboard props appeal to institutional leaders stuck in Blue Peter nostalgia.

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