Elli Antoniou, Ali Glover, Richard Dean Hughes
things fall apart; the centre cannot hold


Curated by Kollektiv Collective
On until 26 January 2024

Despite this gallery’s modest size, it takes more than a moment to note that one is in an exhibition. This is only partly because the space is also a bookshop: Ali Glover turned the showroom interior walls inside out. This gesture makes for a peculiarly sterile building site and an adventure playground for two others. 

Elli Antoniou’s drawings in metal rendered on steel panels with the aid of an angle grinder are thrillingly disorientating. The internal reflections of these slivery surfaces defy the picture plane. One blink of the eye reveals barbed wire and a planetary system. A second gives way to a whole new cosmos.

Echoing this doubt, Richard Dean Hughes’ resin cast bedding is half NHS waiting room, half luxury Egyptian cotton. Beads of glass strewn across these forms point to some dramatic fracture while sheets of newspaper suggest that it is long in the past.

These works could bear witness to the birth of a star or the heat death of the universe. The curators, sadly, don’t want to know which. This sends Glover to Sisyphean toil while letting Antoniou and Hughes chase myths of their own making.

notes and notices are short and curt exhibition reviews. Read more:

Cui Jie, Thermal Currents at Pilar Corrias ★☆☆☆☆

Cui Jie

Thermal Landscapes


The exhibition feels like a lecture on climate change sponsored by the designers of The Line, Saudi Arabia’s dystopian plan for a 110-mile linear city in the desert.

Ksenia Pedan, Revision at Cell Project Space ★★★★☆

Ksenia Pedan



Pedan’s paintings would rather be anything but.

Xie Nanxing, Hello, Portrait! at Thomas Dane ★★★★☆

Xie Nanxing

Hello, Portrait!


Looking at Xie’s portraits is a little like wearing a virtual reality headset over only one eye.

Jan Gatewood, Group Relations at Rose Easton ★☆☆☆☆

Jan Gatewood

Group Relations


Such thin metaphors could only have come from LA.

Alvaro Barrington, Grandma’s Land at Sadie Coles ★★★☆☆

Alvaro Barrington

Grandma’s Land


The party slumps into a half-voiced political complaint and never recovers. This is what happens when instead of living culture, we ‘celebrate’ it.

Tommy Camerno, Delirious at Filet ★★☆☆☆

Tommy Camerno



What’s left of the show are stage props that feed adolescent imaginations with false memories of the long-finished party.