Roe Etheridge

Happy Birthday Louise Parker II

★★☆☆☆

On until 28 September 2024

For nearly thirty years, Etheridge has shot fashion, editorial, and what Gagosian calls “studio” photography, as though to avoid the association with “art”. Etheridge was a latecomer to the game of image semiotics. He nonetheless carved out a practice by mashing up symbols and registers. Meticulously styled product shots appear in his viewfinder as readily as candid pin-up girls. Coke bottles share colour spaces with touching family portraits. His folio is so eclectic that when a duck finds its way onto the studio’s infinity curve, nobody flaps a feather.

The success of these images relies on the active disavowal of context beyond their frames. But in this tiny pass-by display, Etheridge’s method finds an extreme. There isn’t enough information in the assembly for the mind to notice what it is not being given. The prints’ glossy richness reigns.


notes and notices are short and curt exhibition reviews. Read more:

Adriano Costa, ax-d. us. t at Emalin ★★★☆☆

Adriano Costa

ax-d. us. t

★★★☆☆

Form triumphs over detritus.

things fall apart; the centre cannot hold at Tabula Rasa ★★★★☆

Elli Antoniou, Ali Glover, Richard Dean Hughes

things fall apart; the centre cannot hold

★★★★☆

These works could bear witness to the birth of a star or the heat death of the universe. The curators don’t know which.

Mike Kelley, Ghost and Sprit at Tate Modern ★★★☆☆

Mike Kelley

Ghost and Spirit

★★★☆☆

The challenge of curating a retrospective of a career as rich as Kelley’s is to build a narrative that both lay audiences and art historians can believe. Wood packs the show and pleases neither fully.  It’s remarkable that any artist’s…

Oisín Byrne, Not Marble at Amanda Wilkinson ★★☆☆☆

Oisín Byrne

Not Marble

★★☆☆☆

Byrne has a type. Or rather, he’ll paint you into one.

Max Boyla, Crying like a fire in the sun at Workplace ★★☆☆☆

Max Boyla

Crying like a fire in the sun

★★☆☆☆

Rothko’s abstractions are said to have induced tears in viewers overwhelmed by abstraction. Staring at the sun here, however, barely causes blindness.

Abdullah Al Saadi, Sites of Memory, Sites of Amnesia, UAE pavilion in Venice ★★★☆☆

Abdullah Al Saadi

Sites of Memory, Sites of Amnesia

★★★☆☆

The exhibition’s user experience rivals that of the Apple Store.

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