In Martine Syms’s art school-insider satire ‘The African Desperate’, clichés such as ‘the work’ or dramatic jeopardy are long gone. Everybody is trying so hard to look like they’re not trying that they nearly succeed.
Supporting artists to make art, or make-work for workless artists? The concept of state-provided incomes for artists may be hiding a whole bunch of consequences – unintended and otherwise.
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