Supporting artists to make art, or make-work for workless artists? The concept of state-provided incomes for artists may be hiding a whole bunch of consequences – unintended and otherwise.
Who really has a say in what museums do and for whom? Will museums heal the wounds inflicted on them and their audiences by the past decade’s political, social, and economic upheavals? At what cost?
What are the productive limits of art practice as critique? Renzo Martens’ ‘Enjoy Poverty’ is as relevant and as challenging as it was on its release.
The Monkeypox outbreak exposes the failings of the technocratic biopolitical rule and the erosion of our ability to act as moral agents that plagued the Covid pandemic.
Sometimes, ‘it’s not race, it’s class’ is the correct response to inequality.
Documenta 15 reads like a series of creative workshops staged by corporate HR departments to boost loyalty at the lowest possible cost. Perhaps the next Documenta should be curated by an artist.