Trackie McLeod

FRUIT II

★★☆☆☆

On until 11 June 2025

If, contra received wisdom, nostalgia is still what it once was, its aesthetics today is pure cliché. Glasgow lad Trackie mixes Trainspotting, raves, and Louis Vuitton knockoffs as though they were currency in 2025’s Britain. He turns personalised reg plates, lads’ mags headlines, and the Burberry check into icons of a culture he is too young to remember. A mass billboard “partnership” blew up these charity shop trinkets. It duped McLeod into believing that a return to DVDs was, for him, imaginable.

What excuse for this naivety? “Working-class” and “queer” appear in the collateral as obligatory for every insider. What doesn’t is “white”. Yet this alone is McLeod’s distinction in the Yookay Aesthetics index. His longing for ‘90s homophobia is pale fire next to the IrnBru output of fellow Pollokshields dweller and Turner Prize winner Jasleen Kaur. Look closely, however: her multipacks bear the mark “for export”.


notes and notices are short and curt exhibition reviews. Read more:

Paulina Olowska at Pace ★★★★☆

Paulina Olowska

Squelchy Garden Mules and Mamunas

★★★★☆

It should be within the resources of Pace and Olowska’s experience to advance her legend beyond the discretely marketable.

Firelei Báez, A Midnight’s Dream at South London Gallery ★☆☆☆☆

Firelei Báez

A Midnight's Dream

★☆☆☆☆

Such kitsch might have been fine in a spinster auntie’s bedroom. In the gallery, it is a cruel trick.

Cui Jie, Thermal Currents at Pilar Corrias ★☆☆☆☆

Cui Jie

Thermal Landscapes

★☆☆☆☆

The exhibition feels like a lecture on climate change sponsored by the designers of The Line, Saudi Arabia’s dystopian plan for a 110-mile linear city in the desert.

Pablo Bronstein, Cakehole at Herald Str ★★★☆☆

Pablo Bronstein

Cakehole

★★★☆☆

Bronstein falls into the late evening stupor of the cheese trolley, the oyster tray, and… the Mars bar.

transfeminisms Chapter IV at Mimosa House ★☆☆☆☆

transfeminisms Chapter IV: Care and Kinship

★☆☆☆☆

Lack of care for the artefact is a strange USP for a gallery.

Deimantas Narkevičus, The Fifer at Maureen Paley ★★☆☆☆

Deimantas Narkevičus

The Fifer

★★☆☆☆

In the age of the decolonial, this is as quaint as it is outmoded

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