Alexis Kyle Mitchell

The Goal of Our Health

★★☆☆☆

On until 2 August 2025

Kyle Mithell’s image archive would make Adam Curtis’ heart sing. Contextless, charged views of people and systems, toned with that pale hue of ‘archive’ give the impression that something profound is extracted from the reels, tapes, and screen-grabs the artists set to Luke Fowler’s ominous soundtrack. 

But her hour-long meditation on health, care, and disability – wrapped in musings on the nature of film – feels more like a PhD-by-practice submission than BBC iPlayer fodder, let alone the contents of an art exhibition. The video’s plot is so dense that it takes six pages of writing to explain what connects Zoom movement workshops and the fact that urine, apparently, makes for a decent film developer solution.

There is some tenderness to the edit, but it hides under poorly articulated complaints and a cliché warning against eugenics. When even Curtis has stopped narrating his ‘documentaries’, some stories are wasted breath.


notes and notices are short and curt exhibition reviews. Read more:

Amilia Graham, The Crust at Scatological Rites of All Nations ★★☆☆☆

Amilia Graham

The Crust

★★☆☆☆

Each show lasts no more than three hours, and it’s bring-your-own booze.

Nanténé Traoré at Sultana and Amanda Wilkinson ★★☆☆☆

Nanténé Traoré

She says it's the high energy

★★☆☆☆

Bodies clash with lights in front of Traoré’s Narcissus camera.

Richard Hunt, Metamorphosis at White Cube ★★★★★

Richard Hunt

Metamorphosis

★★★★★

A dictionary for self-determination written in phrases as they were being invented.

Rose Finn-Kelcey, Suit of Lights at Kate MacGarry ★★★★☆

Rose Finn-Kelcey

Suit of Lights

★★★★☆

Local-art-centre retro exposes the breakdown of the feminist art project.

Soufiane Ababri, Their mouths at Barbican ★★☆☆☆

Soufiane Ababri

Their mouths were full of bumblebees

★★☆☆☆

Ababri’s paintings for the Grindr generation are more cartoonish than they are from life.

Paulina Olowska at Pace ★★★★☆

Paulina Olowska

Squelchy Garden Mules and Mamunas

★★★★☆

It should be within the resources of Pace and Olowska’s experience to advance her legend beyond the discretely marketable.

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