Pierre d'Alancaisez

Andreas Angelidakis

Escape Room

Greek pavilion , Venice

★★☆☆☆

On until 22 November 2026

Is Greece ok? Their pavilions of late have been dingy and gloomy, casting the motherland itself as a dark den. Emerging from it is increasingly doubtful. Angelidakis’s Escape Room stages Plato’s cave for “the current political climate”, where the shadows are Hitler, and Trump holds the keys. Maybe Greek love is the salvation! (Or something.)

Angelidakis mixes nightclub, 4chan, HIV, and MAGA imagery, casting the visitor as the confounding video silhouette. Greece is half-dungeon, half beautiful ruin, all narcissistic psychosexual babble ignorant of its history. This lair might be fun to dance in to Make Plato’s Cave Great Again. But is that a civics lesson?

notes and notices are short and curt exhibition reviews. Read more:

Dryland, the Greek pavilion in Venice ★★★★☆

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Xirómero/Dryland

★★★★☆

It’s Sunday in the village. And the main square is deserted.

Donna Huddleston, Company at White Cube ★★★★☆

Donna Huddleston

Company

★★★★☆

A palpably stubborn nature unites Huddleston’s women

Open Group, The Polish pavilion in Venice ★★★☆☆

Open Group

Repeat After Me II

★★★☆☆

The applause was rapturous. A sense of tragedy, however, was altogether missing.

Poppy Jones, Solid Objects at Herald St ★★★★☆

Poppy Jones

Solid Objects

★★★★☆

The lightness of the painter’s gesture cries out for a sledgehammer that would relieve the viewer of his doubt.

The Ear is the Eye of the Soul, Holy See pavilion in Venice ★★★☆☆

Alexander Kluge et al.

The Ear is the Eye of the Soul

★★★☆☆

Nuns singing, musicological trivia, and Comic Sans.

Beatriz González at Barbican ★★★★☆

Beatriz González

★★★☆☆

What’s more 1970 than a Pop art Last Supper on the top of a dining table?

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