Andreas Angelidakis

Escape Room

★★☆☆☆

On until 22 November 2026

Is Greece ok? Their pavilions of late have been dingy and gloomy, casting the motherland itself as a dark den. Emerging from it is increasingly doubtful. Angelidakis’s Escape Room stages Plato’s cave for “the current political climate”, where the shadows are Hitler, and Trump holds the keys. Maybe Greek love is the salvation! (Or something.)

Angelidakis mixes nightclub, 4chan, HIV, and MAGA imagery, casting the visitor as the confounding video silhouette. Greece is half-dungeon, half beautiful ruin, all narcissistic psychosexual babble ignorant of its history. This lair might be fun to dance in to Make Plato’s Cave Great Again. But is that a civics lesson?


notes and notices are short and curt exhibition reviews. Read more:

Roe Etheridge, Happy Birthday Louise Parker II at Gagosian ★★☆☆☆

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Happy Birthday Louise Parker II

★★☆☆☆

Etheridge’s method finds an extreme in this tiny pass-by display.

Zyad Menk: Scar Tissue at Ginny on Frederick ★★☆☆☆

Zyad Menk

Scar Tissue

★★☆☆☆

History’s scrapheap with no interpretative powers.

Klara Lidén, Square Moon at Sadie Coles ★★☆☆☆

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★★☆☆☆

This isn’t Times Square in a blackout.

Hannah Tilson, Soft Cut at Cedric Bardawil ★★☆☆☆

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Soft Cut

★★☆☆☆

Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.

Li Yi-Fan: Screen Melancholy at Taiwanese pavilion in Venice ★★★☆☆

Li Yi-Fan

Screen Melancholy

★★★☆☆

Characters lose themselves in screens-within-screens.

Justin Chance, Motherhood at Ginny on Frederick ★★☆☆☆

Justin Chance

Motherhood

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If only he stopped there.

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