Anna Barriball

New Drawings

★★☆☆☆

On until 14 March 2024

Barriball is known for repetitive marks which caress surfaces before defeating them with pigment. Now, new drawings of windows – blue, orange, and yellow rectangles of faintly broken-up colour – try to capture shadows cast by the sun on the floor in her studio. They’re visible only against a layer of dust which temporarily settled between gusts of wind. 

But they only feign such fragility. On unsolicited inspection, these blocks turn into dull sheets of waxed paper and not the light-loving cyanotypes or Polaroids to which they make claims. The blinds are drawn tightly over the frames, leaving no highlights, no shadows, and no sunlight either. 

Vague references in the gallery’s text to the artist’s comfortable pandemic isolation fail to illuminate this confusion. The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.


notes and notices are short and curt exhibition reviews. Read more:

New Contemporaries at South London Gallery ★☆☆☆☆

New Contemporaries

★☆☆☆☆

This edition spells ‘stasis’ more than most, and the selectors are to blame.

Rose Finn-Kelcey, Suit of Lights at Kate MacGarry ★★★★☆

Rose Finn-Kelcey

Suit of Lights

★★★★☆

Local-art-centre retro exposes the breakdown of the feminist art project.

Maja Malou Lyse: Things to Come at the Danish pavilion in Venice ★★★★★

Maja Malou Lyse

Things to Come

★★★★★

Eros is dead. Long live Eros.

Manfred Pernice, Megan Plunknett, >anticorpo< at Galerie Neu and Emalin ★★★★☆

Manfred Pernice, Megan Plunknett

>anticorpo<

★★★★☆

Such ‘80s nostalgia for meaning before history’s end is a comfort blanket.

Francesca DiMattio, Wedgwood at Pippy Houldsworth ★★★☆☆

Francesca DiMattio

Wedgwood

★★★☆☆

In DiMattio’s giant ceramics kiln, everyday motifs like sneakers and knickers clash into the ornate Rococo stove and the Victorian China snuff box.

Alexis Kyle Mitchell: The Goal of Our Health at Peer ★★☆☆☆

Alexis Kyle Mitchell

The Goal of Our Health

★★☆☆☆

When Adam Curtis stopped narrating his ‘documentaries’, some stories are wasted breath.

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