Anna Barriball

New Drawings

★★☆☆☆

On until 14 March 2024

Barriball is known for repetitive marks which caress surfaces before defeating them with pigment. Now, new drawings of windows – blue, orange, and yellow rectangles of faintly broken-up colour – try to capture shadows cast by the sun on the floor in her studio. They’re visible only against a layer of dust which temporarily settled between gusts of wind. 

But they only feign such fragility. On unsolicited inspection, these blocks turn into dull sheets of waxed paper and not the light-loving cyanotypes or Polaroids to which they make claims. The blinds are drawn tightly over the frames, leaving no highlights, no shadows, and no sunlight either. 

Vague references in the gallery’s text to the artist’s comfortable pandemic isolation fail to illuminate this confusion. The eyes may be the windows of the soul. To make an aphorism of the reverse needs more than shadow-play.


notes and notices are short and curt exhibition reviews. Read more:

Lydia Gifford, Low Anchored Cloud at Alma Pearl ★★☆☆☆

Lydia Gifford

Low Anchored Cloud

★★☆☆☆

Oil paint applied so thickly that it’s a miracle the canvases don’t bring the gallery walls down with them

James White: Every Corner Abandoned Too Soon at Anthony Wilkinson ★★★★☆

James White

Every Corner Abandoned Too Soon

★★★★☆

Paint that does this to a pile of plastic coat hangers contends with any reality.

Alex Katz, Spring at Timothy Taylor ★★☆☆☆

Alex Katz

Spring

★★☆☆☆

The emperor’s clothes have moth holes.

Meeson Jessica Pae, Secretions & Formations at Carl Kostyál ★★★★☆

Meeson Jessica Pae

Secretions & Formations

★★★★☆

Oil paint can cause cancer.

Simon Moretti et al, Hereafter at Swedenborg Society ★★★★★

Simon Moretti et al.

Hereafter

★★★★★

A Platonic hierarchy of forms rules this enigmatic exhibition.

Adriano Costa, ax-d. us. t at Emalin ★★★☆☆

Adriano Costa

ax-d. us. t

★★★☆☆

Form triumphs over detritus.

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