The problem of artists who confuse graphic design with art is that they also mistake sloganeering for critique. The Iran-born duo Freudian Typo do both as they mount an immersive yet dour infomercial on the history of credit.

They dub debt the key idea of Western Christendom: a 16th-century Hebrew manuscript is fodder for a goat trading video. “Render unto Revenue what is Revenue’s”, “Go in peace and keep your receipts”, preach posters set in UK PLC’s corporate typeface. Wordy charts dot the gallery that’s half vet’s surgery, half Stansted arrivals. 

Discharge from this debt prison comes with a reading list. Yet it is hard to believe that the artists themselves read Graeber, Lacan, or Freud other than in search of a catchphrase. It takes them hundreds of words in the show’s pamphlet to name-check The Merchant of Venice, for example, only to fall into the sixth-grader’s trap.