Co Westerik


On until 27 January 2024

Anyone intrigued by Philip Guston’s oeuvre but deterred by Tate’s £20 tickets could do worse than Co Westerik as a consolation prize. Many of this Dutch Realist painter’s canvases made between the 1970s and his death in 2018 share the American’s fondness for wrinkled lines, heavenly interventions, and a pallet of social unease. 

Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy. They look innocent but each has much to answer for. The show thus builds an industry of judgment and guilt and, unlike Guston’s whose redemption narrative was crowbarred in by circumstance, damns the viewer along with the painter.

notes and notices are short and curt exhibition reviews. Read more:

Justin Caguiat, Dreampop at Modern Art ★★★★☆

Justin Caguiat



This is the sort of exhibition that makes a critic question the quality of their judgment.

Choon Mi Kim, ACID—FREEEE at Ginny on Frederick ★☆☆☆☆

Choon Mi Kim



Some forms of abstraction simply scream ‘my kid could have made that’.

Diego Marcon, Dolle at Sadie Coles HQ ★★★☆☆

Diego Marcon



Idle work became indistinguishable from leisure, vegetative time-passing from family life.

Auudi Dorsey at PM/AM ★★★★☆

Auudi Dorsey


Dorsey records the human experience with the true universalism of paint.

Amanda Wall, Femcel at Almine Rech ★★★☆☆

Amanda Wall



There’s no dignity in paint when the arc of art history tends to “show hole”.

Hannah Tilson, Soft Cut at Cedric Bardawil ★★☆☆☆

Hannah Tilson

Soft Cut


Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.