Co Westerik



On until 27 January 2024

Anyone intrigued by Philip Guston’s oeuvre but deterred by Tate’s £20 tickets could do worse than Co Westerik as a consolation prize. Many of this Dutch Realist painter’s canvases made between the 1970s and his death in 2018 share the American’s fondness for wrinkled lines, heavenly interventions, and a pallet of social unease. 

Westerik catches his figures in deep contemplation in front of the mirror, in the gynaecologist’s chair, or even mid-orgy. They look innocent but each has much to answer for. The show thus builds an industry of judgment and guilt and, unlike Guston’s whose redemption narrative was crowbarred in by circumstance, damns the viewer along with the painter.

notes and notices are short and curt exhibition reviews. Read more:

Hannah Tilson, Soft Cut at Cedric Bardawil ★★☆☆☆

Hannah Tilson

Soft Cut


Tilson’s styled self-portraits are an affectation that will take many years of practice to pay off.

Sula Bermúdez-Silverman, Bad Luck Rock at Josh Lilley ★★☆☆☆

Sula Bermúdez-Silverman

Bad Luck Rock


This is a poor man’s version of history or a philistine collector’s absolution.

Christo, Early Works at Gagosian Open ★★★★☆


Early Works


To appreciate Christo’s early works against his wishes, one must forget his later stunts.

Thibault Aedy, Dilara Koz at Filet ★★★☆☆

Thibault Aedy, Dilara Koz

Caressed and Polished and Drained and Washed


These ideas can’t last beyond the pop-up show’s closing date.

When Forms Come Alive at Hayward Gallery ★★☆☆☆

When Forms Come Alive


This exhibition cannot decide if it’s a tourist attraction or a serious examination of sculpture’s relationship with movement.

Bhenji Ra, Biraddali Dancing on the Horizon at Auto Italia ★☆☆☆☆

Bhenji Ra

Biraddali Dancing on the Horizon


Such work was once a mere grift. Now, it is an outright stitch-up.