Kevin Brisco Jr

But I Hear There Are New Suns

★★☆☆☆

On until 18 November 2023

This show could have been solid five-star material. But I only got to see it through the gallery’s window because the staff didn’t let me come in a quarter of an hour before their official preview even though the door was wide open. That’s for the best because what I did see – paintings of foliage familiar in style from Ikea wallpapers that the press release claims are metaphors for “colonisation and migration of bodies across the Atlantic” – deserved even less attention.


notes and notices are short and curt exhibition reviews. Read more:

Xie Nanxing, Hello, Portrait! at Thomas Dane ★★★★☆

Xie Nanxing

Hello, Portrait!

★★★★☆

Looking at Xie’s portraits is a little like wearing a virtual reality headset over only one eye.

Dickon Drury at Seventeen ★★★☆☆

Dickon Drury

The Preceding Cart & POV: You are Beans

★★★☆☆

Painting needs prophets, Drury plays a jester.

Max Boyla, Crying like a fire in the sun at Workplace ★★☆☆☆

Max Boyla

Crying like a fire in the sun

★★☆☆☆

Rothko’s abstractions are said to have induced tears in viewers overwhelmed by abstraction. Staring at the sun here, however, barely causes blindness.

Joseph Awuah-Darko, How is your day going? at Ed Cross ★★☆☆☆

Joseph Awuah-Darko

How is your day going?

★★☆☆☆

This project relies on layers of gimmicks and, sadly, they show through Awuah-Darko’s thick palette knife impasto.

Eddie Ruscha, Seeing Frequencies at Cedric Bardawil ★☆☆☆☆

Eddie Ruscha

Seeing Frequencies

★☆☆☆☆

But either the curator or the artist should have known better.

Alvaro Barrington, Grandma’s Land at Sadie Coles ★★★☆☆

Alvaro Barrington

Grandma’s Land

★★★☆☆

The party slumps into a half-voiced political complaint and never recovers. This is what happens when instead of living culture, we ‘celebrate’ it.

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