Laura Lima

The Drawing Drawing

★★★☆☆

On until 29 March 2026

The tautological title of this exhibition, paired with the gallery extolling Lima’s practice as “category-defying”, cautions the visitor of some heavy abstraction ahead. Not without reason. 

The artist turned the ground floor into a life-drawing studio. How radical, truly! The twist, as if another were needed, is that both the model and punters pose on mechanised platforms. They float akin to robot vacuum cleaners. Is this perspective-taking? If so, the whining, high-pitched noise of the floats’ brushless motors does all the work. 

Upstairs, a beach umbrella dances to Brazilian beats. Looks fun, but it’s inconsequential. Next door, a commercial freezer keeps liquid tray sculptures solid; a pair of gloves invites limited, soft-play interaction.

Not much of anything in particular, then. Are these sampler vignettes of some larger, untold story? Fragments that may, when augmented, form a discernible thesis? Lima’s desire to phrase questions in philosophical jargon is obvious. It’s not even stupid. Yet it is less clear that she knows how her objects answer. Consequently, she leaves far too much for the viewer.


notes and notices are short and curt exhibition reviews. Read more:

Joshua Leon, The Missing O and E at Chisenhale Gallery ★☆☆☆☆

Joshua Leon

The Missing O and E

★☆☆☆☆

This embarrassing display indicts today’s second-fiddlers with narcissism and egomania.

Simon Moretti et al, Hereafter at Swedenborg Society ★★★★★

Simon Moretti et al.

Hereafter

★★★★★

A Platonic hierarchy of forms rules this enigmatic exhibition.

New Contemporaries at South London Gallery ★☆☆☆☆

New Contemporaries

★☆☆☆☆

This edition spells ‘stasis’ more than most, and the selectors are to blame.

Pavel Brăila: On the Thousand and Second Night, Moldova in Venice ★★★★☆

Pavel Brăila

On the Thousand and Second Night

★★★★☆

Temporal collapse manifests in magic.

Maja Malou Lyse: Things to Come at the Danish pavilion in Venice ★★★★★

Maja Malou Lyse

Things to Come

★★★★★

Eros is dead. Long live Eros.

Pakui Hardware, Maria Terese Rozanskaite, Inflammation at Lithuanian pavilion Venice ★★★☆☆

Pakui Hardware, Maria Terese Rožanskaité

Inflammation

★★★☆☆

One of the novelties in Venice is the artwork that looks good but on reflection isn’t.

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