Marina Xenofontos

Public Domain

Advanced Views (view_65c0067274f18) template: Can't write template file

★★★☆☆

On until 30 December 2023

There’s an unfortunate ‘emerging artist’ vibe to this handful of readymade sculptures and not only because the show is part of a commercial “emerging artist” prize. Xenofontos replaced the gallery’s door with one salvaged from a mid-range 1980s Greek apartment building. Its lock is broken. In the vestibule, a fragment of an industrial ventilation system periodically spins up. It stops soon after. A stack of mass-market plastic garden chairs finds a home in the corner. They failed quality control. Two chains made of silver walking sticks hang from the high ceiling. They’re too weak to support anything. The titles of these works allude to class, industry, and royalty. But all this is nostalgia, and nothing’s a challenge.

A series of unassuming pieces based on the evacuation plans of civic buildings, presented separately in a darkened room, bring a dose of hazard which was missing thus far. Each is a constellation, quite literally, of LEDs that occasionally flash to reveal images of eyes and ears. But this is a put-on, one imagines, to capture the visitors’ faces. This non-consensual game of blind hide-and-seek cuts through the public domain more than Xenofontos’ wistful recollections in the rest of the show.


notes and notices are short and curt exhibition reviews. Read more:

Aria Dean, Abattoir at ICA ★★★☆☆

Aria Dean

Abattoir

★★★☆☆

Visuals of her own making overpower the artist.

SACCADES, Leo Arnold with Jo Baer at Brunette Coleman ★★★★☆

Leo Arnold with Jo Baer

SACCADES

★★★★☆

One dare not ask for more.

Calla Henkel & Max Pitegoff, I.W. Payne, Downtown at 243 Luz ★★★★☆

Calla Henkel & Max Pitegoff, I.W. Payne

Downtown

★★★★☆

This project has no room for breath and even less for context.

Gina Fischli, Love Love Love at Soft Opening ★★★★☆

Gina Fischli

Love Love Love

★★★★☆

What good it is to be best in show when the competition is lame, crooked, or outright fake?

Joshua Leon, The Missing O and E at Chisenhale Gallery ★☆☆☆☆

Joshua Leon

The Missing O and E

★☆☆☆☆

This embarrassing display indicts today’s second-fiddlers with narcissism and egomania.

Iris Touliatou, Outfits at PEER ★★★☆☆

Iris Touliatou

Outfits

★★★☆☆

These gestures remind the gallery that it is a social space. Unfortunately, they also inadvertently point to its sorry end.

×