Deimantas Narkevičus

The Fifer

★★☆☆☆

On until 18 February 2024

What connects mystical runes, sublime sounds, hypernatural birds, and the very middle of Europe? Wrong answers only, as the meme goes, because “nothing” is obvious. Narkevičius’ constellation of sculpture, photography, and sound installation, topped for good measure with a 3D film gimmick, pulls in too many directions. 

This luck-of-the-draw curating is unsatisfying and disruptively confusing. It forces the eye to find comfort in the Lithuanian’s already familiar and predictable 1997 video on “the post-Soviet era”. This modest work, lightly twitching the Iron Curtain, inadvertently becomes a centrepiece. In the age of the decolonial, this is as quaint as it is outmoded, and the contextual vacuum of this cutting room floor helps no one.


notes and notices are short and curt exhibition reviews. Read more:

Botond Keresztesi, NPC (No-one Paints Chrysopoeia) at Seventeen ★★★☆☆

Botond Keresztesi

NPC (No-one Paints Chrysopoeia)

★★★☆☆

There is no “too much” in this fantasy meme game.

Yi To, Terminal Lucidity at Project Native Informant ★★★★☆

Yi To

Terminal Lucidity

★★★★☆

All evidence erodes eventually.

Michael Simpson at Modern Art ★★★★☆

Michael Simpson

★★★★☆

In this meditation of surface disguised as a study of objects, neither is a truer likeness of the events.

Tyler Eash, All the World’s Horses at Nicoletti ★★☆☆☆

Tyler Eash

All the World's Horses

★★☆☆☆

The artist must choose which ground is best ceded.

Sophie Huckfield: Lady Ludd at Outpost, Norwich ★★☆☆☆

Sophie Huckfield

Lady Ludd

★★☆☆☆

Huckfield crowbars made-up heroes into past revolutions to pose as the saviour in the next one.

Milly Thompson, My Body Temperature is Feeling Good at Goldsmiths CCA ★★☆☆☆

Milly Thompson

My Body Temperature is Feeling Good

★★☆☆☆

Oh, what is it to be a woman in a world of nothing but!

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