Ksenia Pedan

Revision

★★★★☆

Curated by Adomas Narkevičius
On until 19 November 2023

Pedan’s paintings would rather be anything but. Their surfaces, rendered on board that looks as if attacked with an angle grinder, betray little. They hang above eye level, as though to discourage close inspection. The gallery, likewise, isn’t like a gallery. Lengths of electrical cabling cross the walls without reason. Crude boxing conceals the radiators and budget light fittings shine directly into the visitors’ eyes.

But a false wall that oddly covers an altar on which a bird abandoned its nest reveals that all this is a shoddy cover-up, a botched renovation in which the builders cut corners before rushing off to their next job. Everything’s a little sub-standard in that way one begrudgingly gets used to but can never truly overlook.

Even the paintings use the pseudo-neutral palette and form of a mid-range interior design catalogue that rejects lasting meaning. But their marks slowly become discernible: a dense forest, a pile of bones, an hourglass turning dust to dust. In this eerie environment, they demand reverence and reward it with stories of death and disaster that resist any rushed renewal.


notes and notices are short and curt exhibition reviews. Read more:

Michael Andrew Page, Claustrum at Project Native Informant ★★★★☆

Michael Andrew Page

Claustrum

★★★★☆

Page’s tent, brain, and the cathedral take the same form for a pretty good reason.

Justin Chance, Motherhood at Ginny on Frederick ★★☆☆☆

Justin Chance

Motherhood

★★☆☆☆

If only he stopped there.

Thibault Aedy, Dilara Koz at Filet ★★★☆☆

Thibault Aedy, Dilara Koz

Caressed and Polished and Drained and Washed

★★★☆☆

These ideas can’t last beyond the pop-up show’s closing date.

Dominique Fung, (Up)Rooted, at Massimo de Carlo ★★☆☆☆

Dominique Fung

(Up)Rooted

★★☆☆☆

All this tries to be macabre and surreal like in Bosch or Miyazaki but is instead laughably twee.

Choon Mi Kim, ACID—FREEEE at Ginny on Frederick ★☆☆☆☆

Choon Mi Kim

ACID—FREEEE

★☆☆☆☆

Some forms of abstraction simply scream ‘my kid could have made that’.

Mohammad Ghazali, Trilogy: Then… at Ab-Anbar ★★★★☆

Mohammad Ghazali

Trilogy: Then…

★★★★☆

Repetition and framing are photography’s greatest tricks.

×